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The Book World
In this wide-ranging collection, the impact of distribution and the institutions and practices of reading are explored to open up new perspectives on the British book trade and the production, circulation and consumption of literature in the early twentieth century.
Plaques and Tangles
I do not accept there is anything wrong with me. Days before her wedding Megan discovers she has a 50-50 chance of developing early onset Alzheimer's. Years later she's offered a genetic test. But if she's got the gene does she really want to know? Megan, 21. Megan, 47. Megan, 32. Megan, 27. One woman lurches through time while her young family deal with the consequences. I can't think. But I still feel. And most of the time I feel scared. Scared because it's too soon. I haven't finished yet. Plaques and Tangles by Nicola Wilson premiered at the Royal Court Theatre, London, in October 2015.
Virginia Woolf and the World of Books
A celebration of the centenary of the founding of Leonard and Virginia Woolf’s Hogarth Press.
Home in British Working-Class Fiction
Home in British Working-Class Fiction offers a fresh take on British working-class writing that turns away from a masculinist, work-based understanding of class in favour of home, gender, domestic labour and the family kitchen. Examining key works by Robert Tressell, Alan Sillitoe, D. H. Lawrence, Buchi Emecheta, Pat Barker, Jeanette Winterson and James Kelman, among many others, Nicola Wilson demonstrates the importance of home's role in the making and expression of class feeling and identity.
Scholarly Adventures in Digital Humanities
This book addresses the gap between print and digital scholarly approaches by combining both praxis and theory in a case study of a new international collaborative digital project, the Modernist Archives Publishing Project (MAPP). MAPP is an international collaborative digital project, funded by the Social Sciences and Humanities Research Council of Canada, that uses digital tools to showcase archival traces of twentieth-century publishing. The twenty-first century has witnessed, and is living through, some of the most dynamic changes ever experienced in the publishing industry, arguably altering our very understanding of what it means to read a book. This book brings to both general readers and scholarly researchers a new way of accessing, and thereby assessing, the historical meanings of change within the twentieth-century publication industry by building a resource which organises, interacts with, and uses historical information about book culture to narrate the continuities and discontinuities in reading and publishing over the last century.
New Directions in the History of the Novel
New Directions in the History of the Novel challenges received views of literary history and sets out new areas for research. A re-examination of the nature of prose fiction in English and its study from the Renaissance to the 21st century, it will become required reading for teachers and students of the novel and its history.
Miss Nobody
A centenary edition of the 1913 novel, Miss Nobody, by Ethel Carnie (later Ethel Carnie Holdsworth), widely believed to be the first published novel written by a working-class woman in Britain.
Helen of Four Gates
In this, her bestselling second novel, Ethel Carnie Holdsworth adapts a formula popularised by the Bronte sisters to write a tale of dark and gothic romance set in the Lancashire hills. First published anonymously in 1917 amid the tumult of World War I, the novel quickly achieved strong sales in Britain and the US. By 1920 the author was working with Cecil Hepworth, a lauded pioneer of silent cinema, on the film version. In her fascinating introduction to the novel, Pamela Fox analyses Carnie Holdsworth's popular and political writings and discusses how in Helen of Four Gates, Carnie Holdsworth makes a powerful and important contribution both to early cinema and to working-class writing as a whole.
B. B. and the New Student
B.B.'s perfect world was disrupted when a new student, Bryan, joined her class. Everyone judged Bryan based on his appearance and where he came from, without even getting to know him. Will B.B. and her classmates find out that judging is wrong? Will they be able to see past stereotypes in order to make a new friend? Read B.B. and the New Student to find out!
