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Modern Whore
Oh, the places a whore will go: Strip clubs, four-star hotels, stinking basement apartments, luxury cottages. A striking memoir by Andrea Werhun and Nicole Bazuin documents Andrea's sex work career in lush photography and powerful words—in all its slippery, sexy, silly and sometimes heartbreaking glory. Andrea Werhun's sex work career gave her money, freedom, joy, and a lot of dick. A natural performer, she revelled in the opportunity to invent Mary Ann, her escort counterpart, and introduce her to men all over the city. She whores, she learns, she writes it all down, and then, as per a signed document she handed to her Catholic mother in her early twenties, she quits. To become a stripper...
Graphic Details
The comics within capture in intimate, often awkward, but always relatable detail the tribulations and triumphs of life. In particular, the lives of 18 Jewish women artists who bare all in their work, which appeared in the internationally acclaimed exhibition "Graphic Details: Confessional Comics by Jewish Women." The comics are enhanced by original essays and interviews with the artists that provide further insight into the creation of autobiographical comics that resonate beyond self, beyond gender, and beyond ethnicity.
Textiles of India
This magnificently illustrated and deeply researched volume takes the reader on a journey throughout the Indian subcontinent to explore the history and traditions of its textiles. India's rich and vibrant textile tradition boasts an enormous range of techniques and extraordinary level of artistry. Drawn from one of the world's finest collections of Indian textiles, this book presents a fascinating overview of several centuries of artistic production from every corner of India. Each section examines a different region to reveal its distinct textile traditions, patterns, and processes: Patola silks from Gujarat, lampas weaves preserved in Tibetan temples, mordant resist dyed cottons exported t...
Women who Read are Dangerous
"This book brings together a selection of paintings, drawings, prints and photographs for women reading by a diverse range of artists from the Middle Ages to the present day. Each image is accompanied by a commentary explaining the context in which it was created - who the reader is, her relationship with the artist, and what she was reading. This book will appeal to book lovers and anyone interested in the depiction of women in art."--BOOK JACKET.
Haircuts by Children, and Other Evidence for a New Social Contract
We live in an "adultitarian" state, where the rules are based on very adult priorities and understandings of reality. Young people are disenfranchised and powerless; they understand they're subject to an authoritarian regime, whether they buy into it or not. But their unique perspectives also offer incredible potential for engagement and innovation. Cultural planner and performance director Darren O'Donnell has been collaborating with children for years through his theatre company, Mammalian Diving Reflex; their most well-known piece, Haircuts by Children (exactly what it sounds like) has been performed internationally. O'Donnell suggests that that working with children in the cultural indus...
Ed Hardy: Deeper Than Skin
This catalogue is published by the Fine Arts Museums of San Francisco in association with Rizzoli Electa on the occasion of the exhibition Ed Hardy: Deeper than Skin at the de Young from July 13 to October 6, 2019.
Pablo Picasso and Marie-Therese
Pablo Picasso’s endless fascination with his lover’s character and form led to radical shifts in his conception of portraiture and the mystical metamorphoses that the act of creation entails. Picasso’s secretive love affair with Marie-Therese Walter, which began in 1927, inspired a radical shift in his conception of portraiture. The exhibition and catalogue present Marie-Therese as a primary vehicle for his experimentation during the period, including several works never before seen in the United States as well as previously unpublished personal letters and photographs. Picasso and Marie-Therese sheds new light on the interpretation of one of the most creative relationships in Picasso’s rich and varied oeuvre.
Calder / Prouve
A catalogue documenting two exhibitions of works by Alexander Calder and Jean Prouvé at Gagosian Gallery, Paris, and Galerie Patrick Seguin, Paris. Calder and Prouvé met in the early 1950s. They corresponded regularly between Calder’s frequent trips to Paris, exchanging ideas on architecture and sculpture. In 1958, Calder collaborated with Prouvé to construct the steel base of La Spirale, a monumental mobile for the UNESCO site in Paris. Letters between the two are illustrated and reprinted in the catalogue. Calder/Prouvé evokes comparisons in the broad, expressive range of production, emphasis on form, and use of new technologies that the close friends and collaborators evinced in the...
Klimt and the Women of Vienna's Golden Age, 1900-1918
This authoritative and generously illustrated book highlights Gustav Klimt’s portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth-century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Ma&̈da Primavesi (1913); Elisabeth Lederer (1914–16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called "golden style," as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werksta&̈tte.
Erzählte Versöhnung
Christliche Glaubenspraxis und persönliche, gelebte Theologie stellen eine wichtige Ressource für die Verarbeitung der genozidären Gewalt dar, die Täter*innen im Genozid von 1994 in Ruanda verübten, Zuschauer*innen mitansahen, Helfende zu verhindern suchten und Überlebende erlitten. Die Autorin rekonstruiert Gewalttransformationsprozesse von sechs ausgewählten Überlebenden und Täter*innen: Wie ist es möglich, nach der Erfahrung des Genozids zu Gott zurückzukehren? Wie kann genozidäre Schuld bearbeitet werden? Wie gelingt Versöhnung? Die fragilen, tastenden, vorläufigen Versöhnungsgeschichten, die diese Personen erzählen, lassen Erzählung und Ethik in ein produktives Verhältnis treten. So werden Umrisse einer Narrativen Ethik nach dem Genozid sichtbar, die an der Frage orientiert ist, wie miteinander das gute Leben aller gelingen kann.
