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Social Class on British and American Screens
At a time when debates about social inequality are in the spotlight, it is worth examining how the two most popular media of the 20th and 21st centuries--film and television--have shaped the representation of social classes. How do generic conventions determine the representation of social stereotypes? How do filmmakers challenge social class identification? How do factors such as national history, geography and gender affect the representation of social classes? This collection of new essays explores these and other questions through an analysis of a wide range of American and British productions--from sitcoms and reality TV to documentaries and auteur cinema--from the 1950s to the present.
Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films
This collective book offers new insight on the genres of biography and autobiography by examining the singular path of those deemed to be ‘outsiders’, such as Winnie Mandela, Ida B. Wells, Malcolm X and Harvey Milk. Its specific focus on these female leaders and civil rights activists, who refused to be constrained by gender, race and class, shifts attention away from the great men of history and places it solely on those who have transformed their personal lives into a fight for collective goals. With an interdisciplinary approach that looks at literature, cinema and cultural studies, Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Cinema argues that life writing is a key source of artistic creativity and activism which enables us to take a fresh look at history.
Screening Text
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
Ian McEwan's Atonement (2001) and Joe Wright's Film adaptation (2007)
Cet ouvrage, entièrement rédigé en anglais, propose une étude approfondie du roman de McEwan Atonement et de son adaptation filmique réalisée par Joe Wright. Son objectif est d'analyser, dans le cadre de l'agrégation d'anglais, les enjeux propres au roman et à son adaptation et de fournir aux étudiants les outils nécessaires à une bonne compréhension de ces oeuvres. Roman et film sont analysés ici séparément afin que les étudiants puissent s'approprier les deux oeuvres dans leur spécificité et utiliser leurs connaissances et leur maîtrise de l'analyse pour construire une argumentation personnelle exigée par les différentes épreuves du concours. L'étude de ces deux oeuv...
The Spike Lee Brand
A rare look at Spike Lee’s creative appropriation of the documentary film genre. In this groundbreaking book, Delphine Letort sheds light on a neglected part of Spike Lee’s filmmaking by offering a rare look at his creative engagement with the genre of documentary filmmaking. Ranging from history to sports and music, Lee has tackled a diversity of topics in such nonfiction films as 4 Little Girls, A Huey P. Newton Story, Jim Brown: All-American, and When the Levees Broke: A Requiem in Four Acts. Letort analyzes the narrative and aesthetic discourses that structure these films and calls attention to Lee’s technical skills and narrative-framing devices. Drawing on film and media studies, African American studies, and cultural theories, she examines the sociological value of Lee’s investigations into contemporary culture and also explores the ethics of his commitment to a genre characterized by its claim to truth. Delphine Letort is Associate Professor of English at the Université du Maine in Le Mans, France.
Television Series as Literature
This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. It goes beyond existing adaptation studies and narratological approaches to television series in both its scope and depth. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series, while drawing on the theoretical work of a host of scholars from Simone de Beauvoir and Yuri Lotman to Ted Nannicelli and Jason Mittel, and on critical approaches ranging from narratology and semiotics to empirical sociology and phenomenology. The book fosters new ways of understanding television series and literature and lays the groundwork for future scholarship in a number of fields. By questioning the alleged divide between television series and works of literature, it contributes not only to a better understanding of television series and literary texts themselves, but also to the development of interdisciplinary scholarship in the humanities.
Intimacy in Cinema
Though intimacy has been a wide concern in the humanities, it has received little critical attention in film studies. This collection of new essays investigates both the potential intimacy of cinema as a medium and the possibility of a cinema of intimacy where it is least expected. As a notion defined by binaries--inside and outside, surface and depth, public and private, self and other--intimacy, because it implies sharing, calls into question the boundaries between these extremes, and the border separating mainstream cinema and independent or auteur cinema. Following on Thomas Elsaesser's theories of the relationship between the intimacy of cinema and the cinema of intimacy, the essays explore intimacy in silent and classic Hollywood movies, underground, documentary and animation films; and contemporary Hollywood, British, Canadian and Australian cinema from a variety of approaches.
The Church on British Television
This book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, the way the established Church is delineated, and the transformation over decades of congregations into audiences.
Historicizing Post-Discourses
Examines how postfeminism and postracialism intersect to perpetuate systemic injustice in the United States. Historicizing Post-Discourses explores how postfeminism and postracialism intersect in dominant narratives of triumphalism, white male crisis, neoliberal and colonial feminism, and multiculturalism to perpetuate systemic injustice in America. By examining various locations within popular culture, including television shows such as Mad Men and The Wire; books such as The Help and Lean In; as well as Hollywood films, fan forums, political blogs, and presidential speeches, Tanya Ann Kennedy demonstrates the dominance of postfeminism and postracialism in US culture. In addition, she shows...
Political Ecology and Environmentalism in Britain
This collection of essays highlights the different dimensions of the contemporary British environmentalist movement from a multidisciplinary viewpoint. Beginning with an historical overview of the movement, the reader is then presented with an analysis of the politics of climate change from a political science perspective. This is followed by a sociological examination of climate change protesters and environmental activism among young people. The volume also includes an analysis of the ideological relationship between political ecology and the British Left, as well as a case study of environmentalism in Wales against the backdrop of devolution. The book is based on two distinct, yet complementary, perspectives: environmentalism and political ecology. What is this distinction and what is its significance? Answers to these questions and others can be found in these essays which are a must-read for both students and researchers interested in environmental politics in Britain and British area studies.
