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Portraying the Prince in the Renaissance
The portrayal of princes plays a central role in the historical literature of the European Renaissance. The sixteen contributions collected in this volume examine such portrayals in a broad variety of historiographical, biographical, and poetic texts. It emerges clearly that historical portrayals were not essentially bound by generic constraints but instead took the form of res gestae or historiae, discrete or collective biographies, panegyric, mirrors for princes, epic poetry, orations, even commonplace books – whatever the occasion called for. Beyond questions of genre, the chapters focus on narrative strategies and the transformation of ancient, medieval, and contemporary authors, as we...
Early Printed Narrative Literature in Western Europe
The essays in this volume are concerned with early printed narrative texts in Western Europe. The aim of this book is to consider to what extent the shift from hand-written to printed books left its mark on narrative literature in a number of vernacular languages. Did the advent of printing bring about changes in the corpus of narrative texts when compared with the corpus extant in manuscript copies? Did narrative texts that already existed in manuscript form undergo significant modifications when they began to be printed? How did this crucial media development affect the nature of these narratives? Which strategies did early printers develop to make their texts commercially attractive? Which social classes were the target audiences for their editions? Around half of the articles focus on developments in the history of early printed narrative texts, others discuss publication strategies. This book provides an impetus for cross-linguistic research. It invites scholars from various disciplines to get involved in an international conversation about fifteenth- and sixteenth-century narrative literature.
The Medieval Chronicle 14
Medieval chronicles are significant sources not just for the study of history, but also for the fields of literature, linguistics and art history. These papers, with broad chronological and geographical range, represent current approaches in the study of medieval historiography.
Anthoine Vérard
Premier des grands marchands-libraires parisiens, éditeur de plus de 280 ouvrages, A. Vérard se proclame être l'"acteur" du livre. Il se fait représenter une trentaine de fois à genoux offrant son livre, et il ajoute à certaines éditions une prière, un poème ou un prologue adressé à son "patron". Edités ici, ces prologues et ces poèmes, accompagnés de miniatures, sont examinés.
Reading Dante in Renaissance Italy
Examines Dante's reception in the culture and criticism of Renaissance Italy, with a particular focus on Florence and Venice.
