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Masculinity and Western Musical Practice
How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of mascul...
A Kryptic Model of the Incarnation
The Incarnation, traditionally understood as the metaphysical union between true divinity and true humanity in the one person of Jesus Christ, is one of the central doctrines for Christians over the centuries. Nevertheless, many scholars have objected that the Scriptural account of the Incarnation is incoherent. Being divine seems to entail being omniscient, omnipotent and omnipresent, but the New Testament portrays Jesus as having human properties such as being apparently limited in knowledge, power, and presence. It seems logically impossible that any single individual could possess such mutually exclusive sets of properties, and this leads to scepticism concerning the occurrence of the In...
British Nuclear Weapons and the Test Ban 1954-1973
In 1962 Dean Acheson famously described Britain as having lost an Empire but not yet found a role. Perhaps nowhere is this more apparent than in the realms of nuclear weapons. An increasingly marginal world power, successive post-war British governments felt that an independent nuclear deterrent was essential if the country was to remain at the top table of world diplomacy. Focusing on a key twenty-year period, this study explores Britain's role in efforts to bring about a nuclear test ban treaty between 1954 and 1973. Taking a broadly chronological approach, it examines the nature of defence planning, the scientific goals that nuclear tests were designed to secure, Anglo-American relationsh...
Loading the Silence: Australian Sound Art in the Post-Digital Age
The experimentalist phenomenon of 'noise' as constituting 'art' in much twentieth-century music (paradoxically) reached its zenith in Cage’s (’silent’ piece) 4’33 . But much post-1970s musical endeavour with an experimentalist telos, collectively known as 'sound art', has displayed a postmodern need to ’load’ modernism’s ’degree zero’. After contextualizing experimentalism from its inception in the early twentieth century, Dr Linda Kouvaras’s Loading the Silence: Australian Sound Art in the Post-Digital Age explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking A...
Please Allow Me to Introduce Myself: Essays on Debut Albums
Debut albums are among the cultural artefacts that capture the popular imagination especially well. As a first impression, the debut album may take on a mythical status, whether the artist or group achieves enduring success or in rare cases when an initial record turns out to be an apogee for an artist. Whatever the subsequent career trajectory, the debut album is a meaningful text that can be scrutinized for its revelatory signs and the expectations that follow. Please Allow Me to Introduce Myself: Essays on Debut Albums tells the stories of 23 debut albums over a nearly fifty year span, ranging from Buddy Holly and the Crickets in 1957 to The Go! Team in 2004. In addition to biographical background and a wealth of historical information about the genesis of the album, each essay looks back at the album and places it within multiple contexts, particularly the artist’s career development. In this way, the book will be of as much interest to sociologists and historians as to culture critics and musicologists.
Britain and Disarmament
Since the use of poison gas during the First World War and the dropping of atomic bombs on Japan at the end of the Second World War, nuclear, biological or chemical (NBC) weapons have registered high on the fears of governments and individuals alike. Recognising both the particular horror of these weapons, and their potential for inflicting mass death and destruction, much effort has been expended in finding ways to eliminate such weapons on a multi-lateral level. Based on extensive official archives, this book looks at how successive British governments approached the subject of control and disarmament between 1956 and 1975. This period reflects the UK's landmark decision in 1956 to abandon...
William Randolph of Post Oak Springs
William Randolph was born in about 1764 in Albermarle County, Virginia. His father was Thomas Randolph. His family moved to Tennessee in about 1777. He married Louisa Bailey in about 1784. They had nine known children. Descendants and relatives lived mainly in Tennessee, Alabama and Texas.
