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Song of the Nibelungs
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
A Companion to the Nibelungenlied
This Companion to the Nibelungenlied draws on the expertise of scholars from Germany, Britain, and the United States to offer the reader fresh perspectives on a wide variety of topics regarding the epic: the latest theories regarding manuscript tradition, authorship, conflict, combat, and politics, the Otherworld and its inhabitants, eroticism (in both the Nibelungenlied and Wagner's Ring), the twentieth-century reception both of the Nibelungenlied and of its most intriguing protagonist, Kriemhild, key concepts used by the poet, the heroic, feudal, and courtly elements in the work, and an analysis of archetypal elements from the perspective of Jungian psychology.
The Nibelungenlied
Filled with portrayals of deception, love, murder, and revenge—yet defying traditional medieval epic conventions for representing character—the Nibelungenlied is the greatest and most unique epic in Middle High German. The Klage, its consistent companion text in the manuscript tradition, continues the story, detailing the devastating aftermath of the Burgundians' bloody slaughter. William Whobrey's new volume offers both—together for the first time in English—in a prose version informed by recent scholarship that brilliantly conveys to modern readers not only the sense but also the tenor of the originals.
The Nibelungenlied
In the last fifty or so years there has been a gradual shift of attention in scholarship on the Nibelungenlied from reconstruction of the texts, and tracings of the poem’s multiple and complex antecedents, to interpretation. In spite of this trend, there is still a pressing need for a critical analysis of the Nibelungenlied as a whole that draws together its various literary qualities and examines in detail the epic’s unity, depth, and meaning. Professor Bekker’s study provides this kind of analysis. It takes a fresh approach, viewing the poem as a work of literary merit worthy to be read for its own sake. It traces the new designs which the poet brings to the Nibelungen tradition and ...
The Nibelungenlied
The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic-speaking Europe. Parallels to the German poem from Scandinavia are found especially in the heroic lays of the Poetic Edda and in the Völsunga saga.
The Nibelungenlied
'In ancient tales many marvels are told us ... now you may hear such marvels told!' The greatest of the heroic epics to emerge from medieval Germany, the Nibelungenlied is a revenge saga of sweeping dimensions. It tells of the dragon-slayer Sivrit, and the mysterious kingdom of the Nibelungs with its priceless treasure-hoard guarded by dwarves and giants, of Prünhilt the Amazonian queen, fortune-telling water-sprites and a cloak of invisibility. Driven by the conflict between Kriemhilt, the innocent maiden turned she-devil, and her antagonist, the stoic, indomitable Hagen, the story is one of human tragedy, of love, jealousy, murder, and revenge, ending in slaughter on a horrific scale. The...
The Nibelungenlied (Prose Translation)
The Nibelungenlied ("The Song of the Nibelungs") is an epic poem originally written in in Middle High German around the year 1180. It tells the story of the dragon-slayer Siegfried at the court of the Burgundians, how he was murdered, and of his wife Kriemhild's revenge. Along with the Völsunga saga, the Nibelungenlied served as source material for Richard Wagner's famous four music dramas Der Ring des Nibelungen ("The Ring of the Nibelung"), although the storyline in the Nibelungenlied is far more extensive than in Wagner's work. Based on pre-Christian Germanic heroic motifs which include ancient oral traditions (including the Norse sagas), the Nibelungenlied first appeared from the area o...
The Nibelungenlied
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The Song of the Nibelungs
The first translation into English of this monumental epic in over forty years. Written around the year 1200 by an unknown Middle High German poet, probably an Austrian knight-cleric, The Song of the Nibelungs is composed of thirty-nine adventures and is divided into two major parts. Two great complexes of epic action are joined together: the life and death of Sigfrid, his glory, fault, and betrayal, and the massive destruction of those who betrayed him, engineered by Kriemhild, Sigfrid's wife. The translator has reproduced the principal characteristics of style and language, in a verse form approximating that of the original. This modern translation, with its naturalness of language, will appeal to the general reader and scholar alike.
