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The number of secular people has increased substantially over the past several decades, and research on secularism and non-religion has been on the rise these past years. Yet, until today, no publication had examined the evolution of organised freethought and subsequent secular humanism as it emerged in different Western countries in a comparative perspective. In this book, a team of historians brings together the histories of secular humanism in some pioneer countries. They examine how organised freethought evolved in the Netherlands, Belgium, Great Britain and the United States, in the aftermath of World War II. As secular humanist organisations in these countries are some of the cofounders and long-lasting members of Humanists International (formerly International Humanist and Ethical Union), this book reveals how Western humanism developed in different circumstances.
The second issue of the yearbook History of Intellectual Culture (HIC) dedicates a thematic section to modes of publication. This volume addresses recent advances in publication studies and stresses the cultural formation of knowledge. By exploring and analyzing layers of presenting, sharing, and circulating knowledge, we invite readers to critically engage with questions of media uses and publishing practices and structures, both historically and in our contemporary digital age. The articles in this volume attest to the great variety of publication modes and perspectives, from the potential and limits of digitizing newspapers such as the New York Times to questions of positionality in building and using Wikipedia, from translation policies and female participation to the genre of university histories.
This book offers an in-depth, archive-based analysis of “scientific atheism”, focused on the development of the field in the German Democratic Republic (GDR). Scientific atheism was established as a Soviet import in 1963 at Jena University, with a presence in East German universities, propaganda and politics for nearly 30 years. The chapters explore the sociological work done by scientific atheists such as Olof Klohr, how they defined religion and atheism, and their role as actors of atheisation in various fields. As well as reflecting on the specific religious and political context in East Germany, the author makes comparison with other communist-ruled countries. Drawing on extensive and unique documentation, this book will be of interest to scholars of atheism and secularism, religion and politics, religious history, German history and East European studies.
As a system of thought that values human needs and experiences over supernatural concerns, humanism has gained greater attention amid the rapidly shifting demographics of religious communities. This outlook has taken on global dimensions, with activists, artists, and thinkers forming a humanistic response not only to religion, but to the pressing social and political issues of the 21st century. The Oxford Handbook of Humanism aims to explore the subject by analyzing its history, its philosophical development, and its influence on culture. It will also discuss humanism as a global phenomenon-an approach that has often been neglected in more Western-focused works.
The story of how prominent liberal intellectuals reshaped American religious and secular institutions to promote a more democratic, science-centered society. Winner of the Morris D. Forkosch Award for Best Book by the Center for Inquiry Recent polls show that a quarter of Americans claim to have no religious affiliation, identifying instead as atheists, agnostics, or "nothing in particular." A century ago, a small group of American intellectuals who dubbed themselves humanists tread this same path, turning to science as a major source of spiritual sustenance. In The Scientific Spirit of American Humanism, Stephen P. Weldon tells the fascinating story of this group as it developed over the tw...
"Secular people are strangely ambiguous. They feel a tension between what they don't share and what they have in common-between avoiding religion and embracing something like it. An event as ordinary as a wedding can be uncomfortable if it feels too religious, and even for those who are indifferent to religion, a passing reference to God can be cringeworthy. And yet, religion is tough to avoid completely without living in its remainder. The Secular Paradox explains why. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, Blankholm shows how secular people are both absolutely not religious and part of a religion-like tradi...
Humanists have been a major force in British life since the turn of the 20th century. Here, leading historians of religious non-belief Callum Brown, David Nash, and Charlie Lynch examine how humanist organisations brought ethical reform and rationalism to the nation as it faced the moral issues of the modern world. This book provides a long overdue account of this dynamic group. Developing through the Ethical Union (1896), the Rationalist Press Association (1899), the British Humanist Association (1963) and Humanists UK (2017), Humanists sought to reduce religious privilege but increase humanitarian compassion and human rights. After pioneering legislation on blasphemy laws, dignity in dying and abortion rights, they went on to help design new laws on gay marriage, and sex and moral education. Internationally, they endeavoured to end war and world hunger. And with Humanist marriages and celebration of life through Humanist funerals, national ritual and culture have recently been transformed. Based on extensive archival and oral-history research, this is the definitive history of Humanists as an ethical force in modern Britain.
Een kunstfilosoof en een bioloog, kunstenaar en gamer geven hun perceptie, in de vorm van 10 dialogen, van hedendaagse kunst. Aan bod komen heel verschillende actuele thema's, zoals de verhouding tussen kunst en wetenschap, de malaise in de kunst, geweld in media, de filosofie van computer games, engagement en betrokkenheid, de esthetische ervaring en de kunst van het onzegbare.