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Irreverent and iconoclastic, Nigel Coates has been stirring up the architectural scene for over 40 years. In this warm and compelling autobiography, he explores the highs and lows of life at the cutting edge of architecture and design. Coates’ work often treads playfully at the intersection between bodies, sexuality and design. His portfolio includes interiors for Liberty, Jigsaw and Caffè Bongo in Tokyo, the Body Zone in the Millennium Dome, and built work such as Noah's Ark and the Wall (both in Tokyo) and the Geffrye Museum extension, London. He has also collaborated with high-end product and lighting manufacturers Fornasetti, Fratelli Boffi and Slamp. Formerly the Head of Architecture...
The first book to look architectural narrative in the eye Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative Architecture explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development. Authored by Nigel Coates, a foremost figure ...
This series profiles the designers who mattered in the 90s -- those who have already changed our perceptions and those poised to define the next century. Concise text and a wealth of illustration will excite anyone interested in visual culture.This influential architect has designed high-profile restaurants in Japan and Turkey, the British Pavilion for Lisbon Expo '98 and Hanover Expo 2000, and many other major commissions.
Combining areas of Tokyo, Cairo, London, New York, Rome, Mumbai and Rio de Janeiro, architect Nigel Coates presents Ecstacity. It is a place of cultural clashes and hybrids. where the real and imaginary sit side by side in a kaleidoscope of colour, drawings, maps, photographs and words.
A book which portrays a future view of London as conceived by one of Britain's leading avant-garde architects, Nigel Coates. Cities are physically the sum of their buildings, roads, tunnels, tracks and towers.
One of a small group of designers and architects who are redefining the landscape of international design is discussed here. It places his development and impact within the broader currents of international design and culture in the 80s and examines the notion of architecture as "Fashion."
The first book to look architectural narrative in the eye Since the early eighties, many architects have used the term "narrative" to describe their work. To architects the enduring attraction of narrative is that it offers a way of engaging with the way a city feels and works. Rather than reducing architecture to mere style or an overt emphasis on technology, it foregrounds the experiential dimension of architecture. Narrative Architecture explores the potential for narrative as a way of interpreting buildings from ancient history through to the present, deals with architectural background, analysis and practice as well as its future development. Authored by Nigel Coates, a foremost figure ...
Chronicling the last radical architectural group of the twentieth century – NATØ (Narrative Architecture Today) – who emerged from the Architectural Association at the start of the 1980s, this book explores the group’s work which echoed a wider artistic and literary culture that drew on the specific political, social and physical condition of 1980s London. It traces NATؒs identification with a particular stream of post-punk, postmodern expression: a celebration of the abject, an aesthetic of entropy, and a do-it-yourself provisionality. NATØ has most often been documented in reference to Nigel Coates (the instigator of NATØ), which has led to a one-sided, one-dimensional record of NATؒs place in architectural history. This book sets out a more detailed, contextual history of NATØ, told through photographs, drawings, and ephemera, restoring a truer polyvocal narrative of the group’s ethos and development.
Buildings are driven by human emotions and desires; hope, power, money, sex, the idea of home. In Why We Build Rowan Moore explores the making of buildings from conception to inhabitation and reveals the paradoxical power of architecture: it looks fixed and solid, but is always changing in response to the lives around it. Moving across the globe and through history, through works of folly, beauty, spectacle, and subtlety, Moore gives a provocative and iconoclastic view of what makes architecture, why it matters, and why we find it fascinating. You will never look at a building in the same way again.
In a world dominated by hyper-specialisation, there are few architects that inhabit multiple areas consistently through their career. Procter-Rihl is a multidisciplinary studio that navigates between architecture, furniture, product design, exhibition, and landscaping. Procter-Rihl believes that architecture should be culturally--and climate--responsive, engaging with its place but also challenging. Unlike a typical contextual approach, the work creates tension between the vernacular and a new aesthetic. These contradictions add a layer of complexity to the reading of the architecture. Spatially, the practice explores complex geometries, which create dynamic experiences. Diagonal juxtaposition or a simple shift, or stretching of, a traditional form can produce an illusion of greater space. In their furniture work the studio is known for light structure and transparent acrylic where cut edges define a form based on the drawn line. Architecture and Beyond: Procter-Rihl comprises four parts or actions: fold, perforate, float and weave. Each chapter illustrates the practice's design method and way of working, highlighting key elements in construction.