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Etruscan Art
"Nigel Spivey's incisive book is the first critical survey of this elusive people for more than twenty years, bringing the Etruscan world to life in the light of the most recent discoveries and the latest scholarship."--Cover.
The Ancient Olympics
Here Nigel Spivey paints a portrait of the Greek Olympics as they really were--fierce contexts between bitter rivals, in which victors won kudos and rewards, and losers faced scorn and even assault. Bitterly Contested and often bloody, the ancient Olympics were no an idealistic celebration of unity, but a clash of military powers in an arena not far removed from the battlefield. The author explores what the events were, the rules for competitors, training and diet, the pervasiveness of cheating and bribery, the prizes on offer, the exclusion of "barbarians," and protocols on pederasty. He also peels back the mythology surrounding the games today and investigates where our current conception of the Olympics has come from and how the Greek notions of beauty and competitiveness have influenced our modern culture.
Understanding Greek Sculpture
Taking a new approach to the subject, the author here examines the contexts in which classical statuary was made and displayed, restoring its former cultural significance and explaining the techniques of the manufacture of Greek sculpture.
The Ancient Olympics
Presents a history of the ancient Olympics, offering a glimpse into the ancient Greek thoughts on athletics, fitness, and competition.
The Ancient Olympics
A portrait of the Greek Olympics as they really were - fierce contests between bitter rivals, in which victors won kudos and rewards, and losers faced scorn and even assault. After reading this book, no one will see the Olympics as a graceful display of Greek beauty again, but as war by other means.
How Art Made the World
In the late nineteenth century, the first discoveries of prehistoric painting were greeted with incredulity. How could there have been such deft and skillful artists in the world over 30,000 years ago? Noted art historian Nigel Spivey begins with this puzzle to explore the record of humanity's artistic endeavors, and their impact on our own development. How Art Made the World , in conjunction with the PBS miniseries, reveals how artists from the earliest caveman to the most studied Renaissance master have grappled with the same questions in their work: What is a man? Why must we die? Is there a God? With the help of vivid color illustrations of some of the world's most moving and enduring works of art, Spivey shows how that art has been used as a means of mass persuasion, essential to the creation of hierarchical societies, and finally, the extent to which art has served as a mode of terror management in the face of our inevitable death. Packed with new insights into ancient wonders and fascinating stories from all around the globe, How Art Made the World is a compelling account of how humans made art and how art makes us human.
Greek Sculpture
Explains the social function and aesthetic achievement of Greek sculpture from c.750 BC to the end of antiquity.
Songs on Bronze
Lively, exciting, dramatic versions of Greek myths from one of Britain's rising media stars
The Sarpedon Krater
Perhaps the most spectacular of all Greek vases, the Sarpedon krater depicts the body of Sarpedon, a hero of the Trojan War, being carried away to his homeland for burial. It was decorated some 2,500 years ago by Athenian artist Euphronios, and its subsequent history involves tomb raiding, intrigue, duplicity, litigation, international outrage, and possibly even homicide. How this came about is told by Nigel Spivey in a concise, stylish book that braids together the creation and adventures of this extraordinary object with an exploration of its abiding influence. Spivey takes the reader on a dramatic journey, beginning with the krater’s looting from an Etruscan tomb in 1971 and its acquisi...
Enduring Creation
Sebastians pierced with arrows, self-portraits of the aging Rembrandt, and the tortured art of Vincent van Gogh. Exploring the tender, complex rapport between art and pain, Spivey guides us through the twentieth-century photographs of casualties of war, Edvard Munch's The Scream, and back to the recorded horrors of the Holocaust.".
