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The essays in this volume explore the borderland between ecology and the arts. Nature is here read by a number of contributors as 'cultural', by others as an 'independent domain', or even as a powerful process of exchange 'between the human and the other-than-human'. The four parts of the volume reflect these different understandings of nature and performance. Informed by psychoanalysis and cultural materialism, contributors to the first part, 'Spectacle: Landscape and Subjectivity', look at ways in which particular social and scientific experiments, theatre and film productions and photography either reinforce or contest our ideas about nature and human-human or human-animal relations and i...
Hold on to your sides for the third and funniest instalment of 'The Uranus' space romp trilogy. Journey with the villainous Dr. D'Eath as he threatens to kill the dead people of Lom. Unsuccessful, he moves on to rush the procrastinators of Askme and falls madly in lust with Nyps, so aptly named for her big feet. Meanwhile our hero, Roy, enjoys a few adventures of his own. News of his exploits in the Dead Zone have spread throughout the galaxy and there are those who need his help. Part of his deal with Nev of the Dead Zone was to find Zak from the 'Kidz Alright' and to get him to do a gig in exchange for the release of all their prisoners. With both Zak and Nev aboard the Artois there is a final showdown with Dr. D'Eath and Roy uses the Architect's T.I.T.S. to thwart him, or was it his T.W.A.T? And so the opening three books of our trilogy are done. A book of just over 100,000 words; seasoned with humour and social comment and spiced with a hint of adult language, well quite a bit of that actually.
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This book stages a timely discussion about the centrality of identity politics to theatre and performance studies. It acknowledges the important close relationship between the discourses and practices historically while maintaining that theatre and performance can enlighten ways of being with others that are not limited by conventional identitarian languages. The essays engage contemporary theatre and performance practices that pose challenging questions about identity, as well as subjectivity, relationality, and the politics of aesthetics, responding to neo-liberal constructions and exploitations of identity by seeking to discern, describe, or imagine a new political subject. Chapters by le...
This is the last remaining and only printed reference guide to the British aristocracy currently available.