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Icons
Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.
From Byzantium to Holy Russia
Tracing the life and work of Nikodim Kondakov, a pioneer in the field of late Antiquity and Byzantium in eastern Europe, this biography is a true tale of adventure. It follows the complicated and challenging events in Kondakov's life before and after the Russian Revolution, from his humble beginnings to his university studies and analyzes his inspired creation of an innovative and precocious study of art history in Russia. From a brilliant and successful career to the trauma endured during the Russian Revolution, the story becomes one of wandering and dependence; nevertheless, and in spite of the shift in history and in his own life, Kondakov's studies sketch a vast geography of Late Antique...
Empires of Faith in Late Antiquity
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
The History of the Discovery and Study of Russian Medieval Painting
This is the first study in any language to trace the emergence of the art historical interest in icon painting in the nineteenth century with its evident impact on the course of Russian modernism in the twentieth century. Given the surge in popularity of the Russian avant-garde, a book devoted to the gradual awareness of the artistic value of icons and their effect on Russian aesthetics is timely. The discoveries, the false starts, the incompetence, the interaction of dilettantes and academics, the meddling of tsars and church officials, all make for a fascinating tale of growing cultural awarenss. It is a story that prepares the ground for the explosioin of Russian cultural creativity and acceptability in the early twentieth century.
Building between Eastern and Western Mediterranean Lands
This edited volume examines the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. The essays explore issues of material culture, craft techniques, technological and typological changes and cultural contacts in Syria, Jordan, North Africa and Spain. The volume includes case studies on prestigious architectural complexes, defensive systems and other structures located in major urban centres (Cyrrhus, Bosra, Jerash, Sousse, Kairouan and Cordoba), as well as minor sites and rural buildings. It offers a fresh contribution to the long-lasting historiographic debate o...
Kandinsky and Old Russia
Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.
Michael Rostovtzeff, Historian in Exile
Es handelt sich um den ersten Versuch, den Standort des fuhrenden Althistorikers Michael Rostovtzeff in den Jahren 1917-1941 anhand bisher unbekannter und unveroffentlichter russischer Archivalien, Briefe usw. aufzuzeigen. Nach einem einleitenden Uberblick uber die russische Welt in den Jahren ca. 1855-1915, in der der junge Rostovtzeff 1870 geboren wurde und aufwuchs, konzentriert sich die Untersuchung auf drei Themen: die Rekonstruktion des russisch-amerikanischen Personennetzwerkes, zu dem Rostovtzeff gehorte; die Frage, wie dieses Netzwerk es Rostovtzeff ermoglicht hat, fur sich selbst und fur andere Verbannte und Fluchtlinge ein neues Leben in den Vereinigten Staaten aufzubauen; die Frage, wie die Niederlage der russischen liberal-demokratischen Intelligenz in Rostovtzeffs Interpretation der Geschichte Roms ihren Niederschlag gefunden hat. (Franz Steiner 1990)
Russia's Own Orient
Russia's own Orient examines how intellectuals in early twentieth-century Russia offered a new and radical critique of the ways in which Oriental cultures were understood at the time. Out of the ferment of revolution and war, a group of scholars in St. Petersburg articulated fresh ideas about the relationship between power and knowledge, and about Europe and Asia as mere political and cultural constructs. Their ideas anticipated the work of Edward Said and post-colonial scholarship by half a century. The similarities between the two groups were, in fact, genealogical. Said was indebted, via Arab intellectuals of the 1960s who studied in the Soviet Union, to the revisionist ideas of Russian O...
