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Nikola Tesla
Simple text and illustrations look at the life of inventor Nikola Tesla.
Paris arcades
En 1927, con ocasión de una estancia de varios meses en París, Walter Benjamin comenzó a tomar notas de los Pasajes de París, su más ambicioso proyecto sobre la filosofía del siglo XIX. El proyecto quedó inacabado debido a constantes interrupciones en el proceso de trabajo, a la huida de Benjamin de las persecuciones nazis y a su suicidio en Portbou en 1940. Fue publicado póstumamente como "El libro de los pasajes", y en él figura el ensayo titulado "La obra de arte en la época de su reproductibilidad técnica". Este cuaderno de notas contiene una selección de anotaciones manuscritas, de las que Nikola Doll deduce que Benjamin pretende "integrar el concepto de montaje como técnica epistemológica". Fichas de colores, esquemas y diagramas sirven de guía a través de la maraña de extractos y citas. El sitema personal de codificación por colores empleado por Benjamin refleja el intento de poner orden en la vasta constelación de sus propias notas y la tensión existente entre el impulso hacia la estructura y el potencial del campo abierto de sus intereses.
The Aestheticization of History and the Butterfly Effect
'The Aestheticization of History and the Butterfly Effect: Visual Arts Series' introduces the audience to philosophical concepts that broach the beginning of the history of Western thought in Plato and Aristotle to that of more modern thought in the theoretician Jacques Rancière in which the main conceptual framework of this anthology is predicated. The introduction is mainly concerned with Rancière’s concept of the distribution of the sensible, which is the arrangement of things accessible to our senses, what we experience in real-time and space— compartmentalization and categorization of all things. These things do not just involve tangible items, but audible speech, written language...
Baroque and the Political Language of Formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wölfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.
Art of Suppression
One thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favourable than we assume. Potter conducts a historiography of Nazi arts, examining writings from the last seven decades to demonstrate how historical, moral, and intellectual conditions have sustained a distorted characterization of cultural life in the Third Reich. Showing how past research has revealed the decentralized nature of Nazi arts policies, Potter argues that the insulation of academic disciplines allowed outdated presumptions about Nazi micromanagement of the arts to persist.
Art in Battle
The exhibition Art in Battle at KODE – Art Museums of Bergen portrays the battles over art initiated by Nazi policies for their European conquests. It examines propaganda exhibitions in occupied Norway as well as hitherto unseen art by soldiers stationed in Norway. This exceptional catalog documents this ground-breaking show and assembles leading experts on the history and ideology of Nazi cultural campaigns in both Germany and Norway to initiate a fresh discussion of the relationships between center and periphery within the art worlds of the Third Reich outside the overfamiliar dichotomy of “Degenerate“ versus “Great German“ art. Beyond historical re-assessment, this project also asks more pressingly: How do we encounter these battles over art today?
Tangled Paths
An intimate biography of an eminent historian of art and culture, exploring his life both within and away from the academy. Tangled Paths tells the life story of Aby Warburg (1866–1929), one of the most influential historians of art and culture of the twentieth century. It also tells the story of a man who, throughout his life, struggled to assert his place in the world. Charting Warburg’s many projects and identities—groundbreaking historian, public intellectual, ethnographer, shrewd academic administrator, and founder of a library—the book explores not only the vagaries of an academic career but also the personal demons of a man who relentlessly sought to live up to his own expectations. In this biography—the first in English in over fifty years—Hans C. Hönes presents an evocative and richly detailed portrait of Warburg’s personality and career, and of his attempts to make sense of the tangled paths of his life.
The Exile of George Grosz
The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates GroszÕs American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how GroszÕs art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U....
Design, Gestaltung, Formatività
What do the work processes of a neurosurgeon and a painter have in common? Applying the notions of Design, Gestaltung, and Formatività, this book sheds new light on processes of formation and transformation in the material world we live in. Scholars from the fields of history, philosophy, psychology, media, and cultural studies question established processes of giving form, while artists, designers, engineers, and scientists describe their creative processes. This book provides its readers with an overview of the spectrum of "philosophies of making" and invites them to refl ect on their own creative process, its possibilities and associated responsibilities to the environment, and ultimately to express these in action. There has never been a more urgent need to develop a new relationship between matter and form. Discussing and expanding the definitions of Design, Gestaltung und Formatività Leading international theorists write about the relationship between matter and form A collection of new texts and first English translation of key texts
A Socialist Realist History?
How did the Eastern European and Soviet states write their respective histories of art and architecture during 1940s–1960s? The articles address both the Stalinist period and the Khrushchev Thaw, when the Marxist-Leninist discourse on art history was "invented" and refined. Although this discourse was inevitably "Sovietized" in a process dictated from Moscow, a variety of distinct interpretations emerged from across the Soviet bloc in the light of local traditions, cultural politics and decisions of individual authors. Even if the new "official" discourse often left space open for national concerns, it also gave rise to a countermovement in response to the aggressive ideologization of art and the preeminence assigned to (Socialist) Realist aesthetics.
