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Subject Catalog
  • Language: en
  • Pages: 1046

Subject Catalog

  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

National Union Catalog
  • Language: en
  • Pages: 1032

National Union Catalog

  • Type: Book
  • -
  • Published: 1979
  • -
  • Publisher: Unknown

Includes entries for maps and atlases.

The Modern Encyclopedia of East Slavic, Baltic, and Eurasian Literatures
  • Language: en
  • Pages: 264
The National Union Catalogs, 1963-
  • Language: en
  • Pages: 812

The National Union Catalogs, 1963-

  • Type: Book
  • -
  • Published: 1964
  • -
  • Publisher: Unknown

None

Festschrift für Nikola R. Pribić
  • Language: en
  • Pages: 644

Festschrift für Nikola R. Pribić

  • Type: Book
  • -
  • Published: 1983
  • -
  • Publisher: Unknown

None

Library of Congress Catalogs
  • Language: en
  • Pages: 1040

Library of Congress Catalogs

  • Type: Book
  • -
  • Published: 1979
  • -
  • Publisher: Unknown

None

Modernism and the Spiritual in Russian Art
  • Language: en
  • Pages: 243

Modernism and the Spiritual in Russian Art

  • Categories: Art

In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of ess...

Barbarian: Explorations of a Western Concept in Theory, Literature, and the Arts
  • Language: en
  • Pages: 501

Barbarian: Explorations of a Western Concept in Theory, Literature, and the Arts

Since Greek antiquity, the ‘barbarian’ captivates the Western imaginary and operates as the antipode against which self-proclaimed civilized groups define themselves. Therefore, the study of the cultural history of barbarism is a simultaneous exploration of the shifting contours of European identity. This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. Critically responding to the contemporary popularity of the term ‘barbarian' in political rhetoric and the media, and its violent, exclusionary workings, the study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently.

Boris Pasternak
  • Language: en
  • Pages: 408

Boris Pasternak

None

Russian Dada 1914-1924
  • Language: en

Russian Dada 1914-1924

  • Categories: Art

A lavishly illustrated volume that views Russian avant-garde art through the lens of Dada. This is the first book to approach Russian avant-garde art from the perspective of the anti-art canons associated with the international Dada movement. The works described and documented in Russian Dada were produced at the height of Dada's flourishing, between World War I and the death of Vladimir Lenin—who, incidentally, was a frequent visitor to Cabaret Voltaire in Zurich, the founding site of Dada. Like the Dadaists, the Russian avant-gardists whose works appear in this volume strove for internationalism, fused the verbal and visual, and engaged in eccentric practices and pacifist actions, includ...