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Nikolai Evreinov & Others
"In 1920, the third anniversary of the October Revolution, The Storming of the Winter Palace was performed with a cast of 10,000. The mass spectacle, directed by Nikolai Evreinov, was a kind of false, deceptive reenactment. It was intended to recall something--the storming of the Winter Palace as the beginning of the revolution--that it itself produced as a theatrical medium. This volume reconstructs the event with texts, photographs, and drawings, and shows how not only in the Soviet Union did the photograph of the theatrical "storming" became a historical document of the October Revolution."--Page 4 of cover.
The Theatrical Instinct
Nikolai Evreinov, a major force in the Russian avant-garde theatre, won international fame in the 1920's. His harlequinades were produced by such greats as Dullin in France, Pirandello in Italy, and the Theatre Guild on Broadway. As playwright, director, and theorist, Evreinov anticipated major developments in the twentieth century theatre: metatheatrical plays, environmental staging, and the study of performance through anthropology, ritual, and role-playing in everyday life. Carnicke examines Evreinov's theories in light of the artistry of his plays. She clarifies his most influential ideas and reclaims his central role in modern theatre history.
The Steps of Nemesis
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The Theatre in Life
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Theater as Life
Five key plays by the master of post-Revolutionary Russian theater Nikolai Evreinov stands with Stanislavsky and Meyerhold in his importance to Russian theater.
Central and Eastern European Literary Theory and the West
Literary theory flourished in Central and Eastern Europe throughout the twentieth century, but its relation to Western literary scholarship is complex. This book sheds light on the entangled histories of exchange and influence both within the region known as Central and Eastern Europe, and between the region and the West. The exchange of ideas between scholars in the East and West was facilitated by both personal and institutional relations, both official and informal encounters. For the longest time, however, intellectual exchange was thwarted by political tensions that led to large parts of Central and Eastern Europe being isolated from the West. A few literary theories nevertheless made i...
A Sociology of the Absurd
This work provides a crystallization and particularization of a school of sociological thinking variously called "creative sociology," "existential sociology," "phenomenological sociology," "conflict theory," and "dramaturgical analysis." The result is a methodological synthesis of the "dual" visions of Erving Goffman and Harold Garfinkel. This book equips the reader with a framework for providing adequate descriptions of those face-to-face encounters that make up everyday life. This edition includes essays not found in the first edition, as well as a new introduction that locates it in the spectrum of contemporary theorizing.
Theatricality
This collection of specially-commissioned, accessible, essays explores that element of performance theory known as theatricality. Six case studies use historically specific circumstances to illustrate how and why the concept of theatricality was and is used. Topics discussed include early use of the term; employment of 'theatricality' by a number of other disciplines to describe events; non-Western interpretation of theatricality; and its use when discussing and analyzing political and cultural events and philosophies. The book provides a first-step guide for those discovering the complex yet rewarding world of performance theory.
The Years of O'Casey, 1921-1926
This documentary history covers a period of Irish political and dramatic climax that had an impact not only on the nation, but on the world as well. During these years both Ireland and its major theater attained a position, however precarious, of stability. De Valera and the Republicans laid down their arms and entered politics, while, by a state subsidy, the Abbey was formally recognized as the Irish National Theatre. The importance of these years goes far beyond Ireland itself because the Irish masterpieces of Sean O'Casey - The Shadow of a Gunman, Juno and the Paycock, and The Plough and the Stars - made an impact upon world drama nearly as profound as that of Luigi Pirandello or of Eugen...
