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Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, Nikolaus Pevsner was a dedicated scholar who pursued a promising career as an academic in Dresden and Göttingen. When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England (first published 1951 - 74) is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a cent...
Pevsner wrote that "Leicestershire is not a county of extremes" and agreed that "no other county in England surpasses Rutland for unspoiled quiet charm". The large and the small Midland counties possess a varied and rewarding range of buildings. Church architecture encompasses the classical Normanton, preserved in remote isolation from the flood of Rutland Water, to Market Harborough with its elegant medieval steeple, and a fine group of Victorian churches in Leicester. The major country houses include Belvoir Castle, Staunton Harold and Burley-on-the-Hill, while the more modest homes of the late nineteenth century include notable work by Ernest Gimson, Voysey and a garden city at Leicester by Parker & Unwin. Leicestershire also possesses fine modern buildings, from its architecturally progressive schools to the justly renowned buildings of Leicester University, dominated by Stirling & Gowan's Engineering Building.
Previous ed.: Harmondsworth: Penguin, 1968, by Nikolaus Pevsner.
The county stretches from the dramatic Malvern Hills on the eastern borders to the fringes of the Cotswolds on the west. The rural areas are rich in sturdy cruck-framed timber buiildings, discussed in an expert introduction, and in village churches which can boast fine sculpture and fittings. The priory of Great Malvern retains exceptional medieval stained glass, and the medieval cathedral at Worcester has the tomb of King John and the chantry chapel of Prince Arthur, Henry VIII's elder brother. The City of Worcester has numerous fine buildings of the seventeenth and eighteenth centuries, while Great Malvern is of special interest as an early nineteenth-century spa town. The supreme example of Victorian grandeur is the eccentrically ambitious grounds and house of Witley Court, now an evocative ruin.
A previously unpublished work by Nikolaus Pevsner, much of which was published as journal articles in the Architectural Review in the 1940s and 1950s during Pevsner's term as editor.
Highlights of this volume are a full account of the Georgian marvels of Bath, and a separate section on the port of Bristol, whose sumptuous Victorian commercial buildings are among the best of their date in England.
This work covers the English county of Berkshire. Stretching from the fringes of London, Berkshire originally covered much of present day Oxfordshire. The variety of architecture is, consequently, broad and remarkable, from the towns of the home counties to the farmhouses and churches of its west.
Exeter Cathedral is but the crowning glory of Devon's wealth of medieval churches, replete with sumptuous fittings and monuments. The county's peak of prosperity from the late Middle Ages to the seventeenth-century is reflected too in its castles, its secluded manor houses, and its scores of sturdily built farmhouses. The delights of Devon's well loved seaside and country towns are explored from the distinctive merchants' houses of Totnes and Topsham to the elegant Regency crescents of Teignmouth and Sidmouth. The picture is completed by accounts of the creation of the docks at Plymouth, industrial relics, and the substantial but little known store of Devon's Victorian churches.
Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, the young Nikolaus Pevsner lived through turbulent years in Germany. This book explores the truth about his reported sympathies with elements of Nazi ideology, his internment in England and his sometimes painful assimilation into his country of exile.