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The Hybrid Reformation
Three basic forces dominated sixteenth-century religious life. Two polarized groups, Protestant and Catholic reformers, were shaped by theological debates, over the nature of the church, salvation, prayer, and other issues. These debates articulated critical, group-defining oppositions. Bystanders to the Catholic-Protestant competition were a third force. Their reactions to reformers were violent, opportunistic, hesitant, ambiguous, or serendipitous, much the way social historians have described common people in the Reformation for the last fifty years. But in an ecology of three forces, hesitations and compromises were natural, not just among ordinary people, but also, if more subtly, among reformers and theologians. In this volume, Christopher Ocker offers a constructive and nuanced alternative to the received understanding of the Reformation. Combining the methods of intellectual, cultural, and social history, his book demonstrates how the Reformation became a hybrid movement produced by a binary of Catholic and Protestant self-definitions, by bystanders to religious debate, and by the hesitations and compromises made by all three groups during the religious controversy.
Conflict and Reconciliation
This book offers historical, philosophical and theological studies on the meaning of conflicts in life and thinking of Nicholas of Cusa (1401-1464) and deals with his attempts to develop a model for peace and tolerance.
Meditating Death in Medieval and Early Modern Devotional Writing
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue - in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science - but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performan...
Cosmos and Community in Early Medieval Art
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
The Two Latin Cultures and the Foundation of Renaissance Humanism in Medieval Italy
Traces the intellectual life of Italy, where humanism began a century before it influenced the rest of Europe.
Biblical Interpretation in the Era of the Reformation
Seventeen respected colleagues and former students of David C. Steinmetz have contributed to this important collection of essays produced in honor of Steinmetz's sixtieth birthday. The burden of the present volume is to examine the sources and resources and to illustrate the continuities and discontinuities in the exegetical tradition leading into and through the Reformation. Specifically, this collection of essays proposes to highlight the historical context of Reformation exegesis and to describe how a truly contextual understanding signals a highly illuminating turn in Reformation studies. The three essays included in Part 1 offer background perspectives on Reformation-era exegesis. Richa...
"Donation of Constantine" and "Constitutum Constantini"
The Donation of Constantine is the most outrageous and powerful forgery in world history. The question of its precise time of origin alone kept generations of researchers occupied. But, what exactly is the Donation of Constantine? To find the answer, it is necessary to approach the question on two different semantic levels: First, as the Constitutum Constantini, a fictitious privilege, in which, among other things, rights and presents were bestowed on the catholic church by a grateful Emperor Konstantin. Secondly, as a reflection of the Middle Age mindset, becoming part of the culture landscape midway through 11th century A.D. The author not only reinterprets the origin of this forgery (i.e. puts it down to the Franks’ opposition of Emperor Louis the Pious), but retells, as well, the history of its misinterpretation since the High Middle Ages. In an appendix, all relevant texts are printed in the original language, an English translation is provided.
Mechthild of Magdeburg and Her Book
Sometime around 1230, a young woman left her family and traveled to the German city of Magdeburg to devote herself to worship and religious contemplation. Rather than living in a community of holy women, she chose isolation, claiming that this life would bring her closer to God. Even in her lifetime, Mechthild of Magdeburg gained some renown for her extraordinary book of mystical revelations, The Flowing Light of the Godhead, the first such work in the German vernacular. Yet her writings dropped into obscurity after her death, many assume because of her gender. In Mechthild of Magdeburg and Her Book, Sara S. Poor seeks to explain this fate by considering Mechthild's own view of female author...
The Dangers of Ritual
Central to current understandings of medieval history is the concept of political ritual, encompassing events from coronations to funerals, entries into cities, civic games, banquets, hunting, acts of submission or commendation, and more. ''Ritual?'' asks Philippe Buc. In The Dangers of Ritual he boldly argues that the concept shouldn't be so central after all. Modern-day scholars, gently seduced by twentieth-century theories of ritual, often misinterpret medieval documents that ostensibly describe such events, in part because they fail to appreciate the intentions behind them. The book begins with four case studies whose arrangement--backward from texts on tenth-century kingship to fourth-c...
Die liturgische Gegenwart des abwesenden Königs
It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, i.e. manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as ‘memorial depictions’ (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.
