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This book will create greater public awareness of some recent exciting findings in the formal study of poetry. The last influential volume on the subject, Rhythm and Meter , edited by Paul Kiparsky and Gilbert Youmans, appeared fifteen years ago. Since that time, a number of important theoretical developments have taken place, which have led to new approaches to the analysis of meter. This volume represents some of the most exciting current thinking on the theory of meter. In terms of empirical coverage, the papers focus on a wide variety of languages, including English, Finnish, Estonian, Russian, Japanese, Somali, Old Norse, Latin, and Greek. Thus, the collection is truly international in ...
Metrics is often defined as a discipline that concerns itself with the study of meters. In this volume the term is used in a broader sense that more or less coincides with the traditional notion of versification . Understood this way, metrics is an eminently complex object that displays variation over time and in space, that concerns forms of a great variety and with different statuses (meters, rhymes, stanzas, prescribed forms, syllabification rules, nursery rhymes, slogans, musical textsetting, ablaut reduplication etc.), and that as a cultural manifestation is performed in a variety of ways (sung, chanted, spoken, read) that can have direct consequences on how it is structured. This profusion of forms is thought to correspond, at the level of perception, to a limited number of cognitive mechanisms that allow us to perceive and to represent regularly iterating forms. This volume proposes a relatively coherent overall vision by distinguishing four main families of metrical forms, each clearly independent of the others and amenable to separate typologies."
This book contains fourteen articles that reflect current ideas on the phonology, morphology, and syntax of clitics. It covers the forms and functions of clitics in various typologically diverse languages and presents data from, e.g. European Portuguese, Macedonian, and Yoruba. It extensively deals with the prosodic structure of clitics, their morphological status, clitic placement, and clitic doubling. The form and behavior of clitics with respect to tonal phenomena and in verse are discussed in two articles (Akinlabi & Liberman, Reindl & Franks). Other articles address the prosodic representation of clitics in Irish (Green), the differences in the acquisition of clitics and strong pronouns in Catalan (Escobar & Gavarro), the similarities between clitics and affixes or words in Romance and Bantu languages (Cocchi, Crysmann, Monachesi, Ortman & Popescu), the semantics of clitics in the Greek DP and in Spanish doubling (Alexiadou & Stavrou, Uriagereka), and complex problems concerning verbal clitics in Romanian and Balkan languages (Legendre, Spencer, Tomic).
The past 15 years have witnessed an increasing interest in the comparative study of language and music as cognitive systems. This book presents an interdisciplinary study of language and music, exploring the following core areas - structural comparisons, evolution, learning and processing, and neuroscience.
This book presents a novel treatment of the metre of Beowulf, an Old English epic poem of uncertain date and origin which is nonetheless considered one of the gems of Germanic Alliterative Verse. Building on recent advances in generative linguistics, the analysis presented in this book offers compelling explanations for a wide range of metrical phenomena that have been observed but only poorly understood for over a century.
This book presents a critical overview of current work on linguistic features - gender, number, case, person, etc. - and establishes new bases for their use in the study and understanding of language. It brings together perspectives from phonology to formal syntax and semantics, expounding features in typology, computer applications, and logic.
Versification describes the marriage of language and poetic form through which poetry is produced. Formal principles, such as metre, alliteration, rhyme, or parallelism, take precedence over syntax and prosody, resulting in expressions becoming organised as verse rather than prose. The aesthetic appeal of poetry is often linked to the potential for this process to seem mysterious or almost magical, not to mention the interplay of particular expressions with forms and expectations. The dynamics of versification thus draw a general interest for everyone, from enthusiasts of poetry or forms of verbal art to researchers of folklore, ethnomusicology, linguistics, literature, philology, and more. The authors of the works in the present volume explore versification from a variety of angles and in diverse cultural milieus. The focus is on metrics in practice, meaning that the authors concentrate not so much on the analysis of the metrical systems per se as on the ways that metres are used and varied in performance by individual poets and in relationship to language.
Language Myths and the History of English deconstructs common myths about the historical development of English and looks at the ideological reasons for their existence.
For the first time in almost half a century, the world of Hopkins is examined as an indivisible whole. The Split World of Gerard Manley Hopkins is a synthetic study of Hopkins's writings, written within a framework of semiotic phenomenology.
Essays on the post-modern reception and interpretation of the Middle Ages,