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Nina Simone's Gum
THE TIMES TOP 10 BESTSELLERA GUARDIAN, TELEGRAPH, THE TIMES, IRISH TIMES, ROUGH TRADE, MOJO, CLASH, ROLLING STONE, UNCUT BOOK OF THE YEARFrom award-winning musician and composer Warren Ellis comes the unexpected and inspiring story of a piece of chewing gum. FEATURING AN INTRODUCTION BY NICK CAVE'Warren has turned this memento, snatched from his idol's piano in a moment of rapture, into a genuine religious artefact.'NICK CAVE'Such a mad, happy book about art and music and obsession. I'm so glad I got to read it. It made the world feel lighter.'NEIL GAIMAN'In praise of meaning-rich relics and magical things. Totally heartwarming project.'MAX PORTER'A unique study of a fan's devotion, of trans...
Dodger Boy
From award-winning author Sarah Ellis comes the story of an American draft dodger who turns up to stay with thirteen-year-old Charlotte and her family.
Spinning Plates
Sophie Ellis-Bextor shares her experiences, insights and reflections on men, music and motherhood. Sophie Ellis-Bextor's kitchen discos became a source of much needed escapism, catharsis and sequined joy for a swathe of the population during lockdown. From knackered mothers and fed up fathers, to cooped up partiers with nowhere to go, Sophie's gloriously chaotic Friday kitchen performances have cheered and revived us. Now Sophie is bringing that same mixture of down to earth candour and optimistic sparkle to her first book. Part memoir, part musings, Sophie will write about the conjuring act of adulthood and motherhood and how her experience of working while raising her five sons has given h...
me and Nina
"Monica Hand's me and Nina is a beautiful book by a soul survivor. In these poems she sings deep songs of violated intimacy and the hard work of repair. The poems are unsentimental, blood-red, and positively true, note for note, like the singing of Nina Simone herself. Hand has written a moving, deeply satisfying, and unforgettable book."—Elizabeth Alexander In an intimate conversation with the "High Priestess of Soul," Monica A. Hand surveys the places and moods of alienation through poems that are as musical and stylistically diverse as Nina Simone's work. Hand readily embraces a "mass hypnosis" style, putting "a spell on [us]" with her intensely passionate cries and commitment to embrac...
Our Vampires, Ourselves
This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation).
All Volunteer
None
Assembly
SHORTLISTED FOR THE FOLIO PRIZE 2022 SHORTLISTED FOR THE GOLDSMITHS PRIZE 2021 SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION AWARD 2021 'Diamond-sharp, timely and urgent' Observer, Best Debuts of 2021 'Subtle, elegant, scorching' Vogue 'Virtuosic, exquisite, achingly unique' Guardian 'I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible' Ali Smith 'Exquisite, daring, utterly captivating. A stunning new writer' Bernardine Evaristo Come of age in the credit crunch. Be civil in a hostile environment. Step out into a world of Go Home vans. Go to Oxbridge, get an education, start a career. Do all the...
The Portrayal and Punishment of Terrorists in Western Media
This book explores how terrorists have been portrayed in the Western media, and the wider ideological and social functions of those representations. Developing a theory of scapegoating related to narrative closure, as well as an integrated, genealogical method of intervisuality, the book proposes a new way of thinking about how political images achieve power and influence the public. By connecting modern portrayals of terrorists (post-9/11) with historical and fictional images of villains from Western cultural history, the book argues that the portrayal and punishment of terrorists in the Western media implicitly perpetuates neo-Orientalist attitudes. It also explains that by repeating these narrative patterns through a ritual of scapegoating, Western media coverage of terrorists partakes in a social process that uses punishment, dehumanization and colonialist ideas to purge the iconic ‘villain’, so as to build national unity and sustain hegemonic power following crisis.
Head Games
Reality? I'd give it a C-. That's what fifteen-year-old Judith Ellis thinks, anyway. Reality is her former best friend not talking to her this year. Reality is her dad living three thousand miles away. Reality is what happened outside 158 West Seventy-first Street, New York City. To Judith, fantasy rules. Particularly in the Game, which she plays online with a bunch of strangers she knows only as the Witch, the Drunken Warrior, and Irgan the Head Case. In the gaming world it's strictly alternative identities. No one knows who you are, no one gets too close. But one player in the Game is coming after her -- and he's a lot closer than Judith guesses. Close enough to see her, close enough to talk with her. Close enough to like her.
