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Extending the Frontiers
  • Language: en
  • Pages: 393

Extending the Frontiers

The essays in this book provide statistical analysis of the transatlantic slave trade, focusing especially on Brazil and Portugal from the 17th through the 19th century. The book contains research on slave ship voyages, origins, destinations numbers of slaves per port country, year, and period.

Portuguese Colonial Cities in the Early Modern World
  • Language: en
  • Pages: 480

Portuguese Colonial Cities in the Early Modern World

  • Type: Book
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  • Published: 2016-12-05
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  • Publisher: Routledge

Portuguese Colonial Cities in the Early Modern World is a collection of essays on the cities of the Portuguese empire written by the leading scholars in the field. The volume, like the empire it analyzes, has a global scope and a chronological span of three centuries. The contributions focus on the social, political, and economic aspects of city life in settlements as far apart as Rio de Janeiro, Mozambique Island, and Nagasaki. Despite the seeming (and real) disparities between the colonial cities located in South America, Africa, and Asia, this volume demonstrates that they possessed a range of commonalities. Beyond their shared language, these cities had similar social, religious, and pol...

Cross-Cultural Exchange in the Atlantic World
  • Language: en
  • Pages: 281

Cross-Cultural Exchange in the Atlantic World

Examining the slave trade between Angola and Brazil, Roquinaldo Ferreira focuses on the cultural ties between the two countries.

Preserving Whose City?
  • Language: en
  • Pages: 253

Preserving Whose City?

With Brazil’s largest concentration of historic landmarks and famous landscapes, Rio de Janeiro’s passionate heritage debates have helped to define both the city and the country. Taking a critical preservationist stance, Brian Godfrey explores how historic designation and urban rebranding have shaped Rio’s distinctive sense of place. Official heritage programs date from the 1930s, when federal authorities centralized power and promoted nationalism. The city began a heritage-based strategy of urban revitalization and rebranding in the 1980s––the “Cultural Corridor” of historic places downtown. Subsequent rediscovery of the old “Little Africa” district and continuing struggle...

The Street Is Ours
  • Language: en
  • Pages: 367

The Street Is Ours

A compelling history of the impact of automobiles on the streets of Rio de Janeiro.

From Sea-bathing to Beach-going
  • Language: en
  • Pages: 318

From Sea-bathing to Beach-going

In From Sea-Bathing to Beach-Going B. J. Barickman explores how a narrow ocean beachfront neighborhood and the distinctive practice of beach-going invented by its residents in the early twentieth century came to symbolize a city and a nation. Nineteenth-century Cariocas (residents of Rio) ostensibly practiced sea-bathing for its therapeutic benefits, but the bathing platforms near the city center and the rocky bay shore of Flamengo also provided places to see and be seen. Sea-bathing gave way to beach-going and sun-tanning in the new beachfront neighborhood of Copacabana in the 1920s. This study reveals the social and cultural implications of this transformation and highlights the distinctive changes to urban living that took place in the Brazilian capital. Deeply informed by scholarship about race, class, and gender, as well as civilization and modernity, space, the body, and the role of the state in shaping urban development, this work provides a major contribution to the social and cultural history of Rio de Janeiro and to the history of leisure.

Experimental Latin American Cinema
  • Language: en
  • Pages: 305

Experimental Latin American Cinema

Includes a filmography with the bibliography.

Opera in the Tropics
  • Language: en
  • Pages: 505

Opera in the Tropics

Opera in the Tropics is an engaging exploration of theater with music in Brazil from the mid 1500s to the early 1820s. Author Rogério Budasz delves into the practices of the actors, singers, poets, and composers who created and performed Jesuit moral plays, Spanish comedias, and Portuguese vernacular operas and entremezes during the colonial period, as well as the Italian operas that celebrated the new independent nation in 1822. A Brazilian producer claimed in 1825 that the goal of music-theater was to instruct, entertain, and distract the population. Budasz argues that this threefold goal had in fact been present throughout the colonial period, in different combinations and with different...

Italian Opera in Global and Transnational Perspective
  • Language: en
  • Pages: 341

Italian Opera in Global and Transnational Perspective

This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.

O Som social: música, poder e sociedade no Brasil
  • Language: pt-BR
  • Pages: 516

O Som social: música, poder e sociedade no Brasil

Este volume de 512 p. é o resultado final de uma pesquisa, iniciada em 2003, a pretexto de servir ao Programa de Mestrado da Área de História Social da FFLCH-USP, e encerrada em 2010, já durante um estágio pós-doutoral, desenvolvido no Departamento de Música do Instituto de Artes da UNESP, então sob os auspícios da Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP). Trata-se de uma história “total” da música no Rio de Janeiro, de meados do Século XVIII a meados do Século XIX, na qual procuramos promover não apenas o conhecimento de obras, performances, instituições e espaços de ação, biografias de autores e executantes; mas também explicar todo o métier musical, analisando fatores sociais conexos, os mais variados — rotulados, por assim dizer, de políticos, econômicos e culturais.