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Contemporary Armenian American Drama
Although ancestral voices have inspired many Armenian American writers of poetry and fiction in the twentieth century, their expression through drama has been limited. The first of its kind, this anthology is a collection of plays by notable Armenian Americans. Written in English largely by artists of Armenian extraction during the latter part of the twentieth century, the plays reflect the outrage of the Armenian Genocide, the forced transplantation that created the Armenian Diaspora, and the desire to maintain the newly established democratic homeland. Including a range of authors from William Saroyan to more contemporary voices, this anthology represents the writers that have stimulated c...
Modern Armenian Drama
Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.
Ethnic Theatre in the United States
Strongly recommended for undergraduate and graduate libraries; useful in theater, American history, and ethnic studies. Choice
An Armenian Mediterranean
This book rethinks the Armenian people as significant actors in the context of Mediterranean and global history. Spanning a millennium of cross-cultural interaction and exchange across the Mediterranean world, essays move between connected histories, frontier studies, comparative literature, and discussions of trauma, memory, diaspora, and visual culture. Contributors dismantle narrow, national ways of understanding Armenian literature; propose new frameworks for mapping the post-Ottoman Mediterranean world; and navigate the challenges of writing national history in a globalized age. A century after the Armenian genocide, this book reimagines the borders of the “Armenian,” pointing to a fresh vision for the field of Armenian studies that is omnivorously comparative, deeply interconnected, and rich with possibility.
Redefining Christian Identity
Cultural interaction in the Middle East since the Rise of Islam - such was the title of a combined research project of the Universities of Leiden and Groningen aimed at describing the various ways in which the Christian communities of the Middle East expressed their distinct cultural identity in Muslim societies. As part of the project the symposium "Redefining Christian Identity, Christian cultural strategies since the rise of Islam" took place at Groningen University on April 7-10, 1999. This book contains the proceedings of this conference. From the articles it becomes clear that a number of distinct "cultural strategies" can be identified, some of which were used very frequently, others ...
Arab American Drama, Film and Performance
Beginning with early Arab American playwright, poet and novelist Kahlil Gibran and concluding with contemporary playwright Yussef El Guindi, this book provides an historical overview and critical analysis of the plays, films and performances of self-identified Arab Americans. Playwrights, filmmakers and performers covered include Ameen Fares Rihani, Danny Thomas, Heather Raffo, Ahmed Ahmed, Mona Mansour and Cherien Dabis. These artists, traditionally underrepresented in entertainment, publishing and academia, have created works that exemplify the burgeoning Arab American arts movement. By addressing cinema, stand-up comedy and solo performance, the author introduces audiences to contemporary genres that are shaping Arab American culture in the United States.
World Encyclopedia of Contemporary Theatre
The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.
The Heritage of Armenian Literature
Preserving Armenia's rich literary tradition from a multitude of viewpoints has been the aim of this three-volume work. This third volume joins the previous two in making excerpts of Armenian masterpieces accessible in beautifully rendered English translations, while enabling readers to enjoy the immediacy of these works through lively discussions of the authors and their times. Here the focus is on the eighteenth through twentieth centuries. The volume begins with a comprehensive overview of the entire historical, social, and literary panorama of the periods covered: the Armenian Renaissance, the development of modern Armenian (with its Western and Eastern versions), the emergence of a nati...
Cultural Genealogy
Cultural Genealogy explores the popularization in the Renaissance of the still pervasive myth that later cultures are the hereditary descendants of ancient or older cultures. The core of this myth is the widespread belief that a numinous charismatic power can be passed down unchanged, and in concrete forms, from earlier eras. Raphael Falco shows that such a process of descent is an impossible illusion in a knowledge-based culture. Anachronistic adoption of past values can only occur when these values are adapted and assimilated to the target culture. Without such transcultural adaptation, ancient values would appear as alien artifacts rather than as eternal truths. Scholars have long acknowl...
