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A Land Twice Promised
An Israeli woman writes about growing up amid war and ancestral trauma and later building a friendship with a Palestinian woman in America. Israeli storyteller Noa Baum grew up in Jerusalem in the shadow of the ancestral traumas of the holocaust and ongoing wars. Stories of the past and fear of annihilation in the wars of the ’60s, ’70s, and ’80s shaped her perceptions and identity. In America, she met a Palestinian woman who had grown up under Israeli Occupation, and as they shared memories of war years in Jerusalem, an unlikely friendship blossomed. A Land Twice Promised delves into the heart of one of the world’s most enduring and complex conflicts. Baum’s deeply personal memoir...
How the Birds Became Friends
Long ago when the world was very young, the birds did not get along. They were always fighting about who was better. Beaks pecking! Feathers flying! Squawks and screeches everywhere! Little Quail feels lost in all the noise, but with each bird trying to outdo the others, Quail bravely takes an unexpected approach. In this delightful take on a Burmese folktale from award-winning storyteller Noa Baum and illustrated by renowned ecologist and artist Zev Labinger, watch the power of kindness change the world.
Theater of War and Exile
In what ways does political trauma influence the art arising from it? Is there an aesthetic of war and exile in theatrical works that emerge from such experiences? Are there cultural markers defining such works from areas like Eastern Europe and Israel? This book considers these questions in an examination of plays, performances and theater artists that speak from a place of political violence and displacement. The author's critical inquiry covers a variety of theatrical experimentations, including Brechtian distancing, black humor, pastiche, surreal and hyper-real imagery, reversed chronologies and disrupted narratives. Drawing on postmodern theories and performance studies as well as interviews and personal statements from the artists discussed, this study explores the transformative power of the theater arts and their function as catalysts for social change, healing and remembrance.
There's Still No Such Thing As 'Naughty'
'The most eye-opening, game-changing and liberating book on parenting I've read.' Fearne Cotton 'Changed my life.' Joe Wicks 'Kate writes with humour and compassion, and without judgement, turning a potentially daunting subject into a personal one' - Susan Cooke, Head of Research and Evidence, NSPCC Struggling with screen-time? Anxiety around school? In There's Still No Such Thing As 'Naughty', Sunday Times bestselling author and child therapist Kate Silverton explains that, while our children aged 5-12 are becoming more independent and physically mature, they need us more than ever emotionally. Backed by neuroscience, neurobiology, and her practical clinical experience, Kate offers compassi...
Inviting the Wolf in
A difficult story is any story whose content makes it challenging to tell or difficult to hear. Told for the wrong reasons, it can be as painful for the listener as for the teller. But as we know from literature and media from Sophie's Choice to The Sixth Sense, told properly, a difficult story can powerfully alter not only he who tells it, but those who hear it.
The Last Letter
Born a German Jew in 1915, Rudy Baum was eighty-six years old when he sealed the garage door of his Dallas home, turned on the car ignition, and tried to end his life. After confronting her father’s attempted suicide, Karen Baum Gordon, Rudy’s daughter, began a sincere effort to understand the sequence of events that led her father to that dreadful day in 2002. What she found were hidden scars of generational struggles reaching back to the camps and ghettos of the Third Reich. In The Last Letter: A Father’s Struggle, a Daughter’s Quest, and the Long Shadow of the Holocaust, Gordon explores not only her father’s life story, but also the stories and events that shaped the lives of he...
Feminist Periodicals
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