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Civic Aesthetics
Awarded an Honourable Mention by the Association for Israeli Studies. Exploring the politics of the image in the context of Israeli militarized visual culture, Civic Aesthetics examines both the omnipresence of militarism in Israeli culture and society and the way in which this omnipresence is articulated, enhanced, and contested within local contemporary visual art. Looking at a range of contemporary artworks through the lens of “civilian militarism”, Roei employs the theory of various fields, including memory studies, gender studies, landscape theory, and aesthetics, to explore the potential of visual art to communicate military excesses to its viewers. This study builds on the specifi...
Civic Aesthetics
"This book explores the politics of the image in the context of Israeli militarized visual culture. It unpacks the way in which art and visual culture contend, not with the military itself, but with its foundational impact on Israeli identity, culture, and society: its influence on bodily images and national affiliations; its impression on landscape; its authority as a coercive glue that encompasses collective memories; and, most importantly, the acceptance of those numerous militarized aspects as unproblematic parts of civilian life. Analyzing a range of artworks and art-related objects with the help of cutting-edge theory, it touches on various fields, including memory studies, gender stud...
Shifting Sights
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Loving Yusuf
When Mieke Bal reread the story of Joseph and Potiphar’s wife as an adult, she was struck by differences between her childhood memories of a moral tale and what she read today. In Loving Yusuf ̧ Bal seeks to resolve this clash between memory and text, using the same story, in which Joseph spurns the advance of his master’s wife who then falsely accuses him of rape, as her point of departure. She juxtaposes the Genesis tale to the rather different version told in the Qur’an and the depictions of it by Rembrandt and explores how Thomas Mann’s great retelling in Joseph and His Brothers reworks these versions. Through this inquiry she develops concepts for the analysis of texts that are both strange and overly familiar—culturally remote yet constantly retold. As she puts personal memories in dialogue with scholarly exegesis, Bal asks how all of these different versions complicate her own and others’ experience of the story, and how the different truths of these texts in their respective traditions illuminate the process of canonization.
Civic Aesthetics
Exploring the politics of the image in the context of Israeli militarized visual culture, Civic Aesthetics examines both the omnipresence of militarism in Israeli culture and society and the way in which this omnipresence is articulated, enhanced, and contested within local contemporary visual art. Looking at a range of contemporary artworks through the lens of “civilian militarism”, Roei employs the theory of various fields, including memory studies, gender studies, landscape theory, and aesthetics, to explore the potential of visual art to communicate military excesses to its viewers. This study builds on the specific sociological concerns of the chosen cases to discuss the complexitie...
Mother Folly
If your mentally ill patient dies, are you to blame? For Dr. Françoise Davoine, a Parisian psychoanalyst, this question becomes disturbingly real as one of her patients commits suicide on the eve of All Saints' Day. She herself has a crisis, as she reflects on her thirty-year career and questions whether she should ever return to the hospital. But return she does, and thus commences a strange voyage across several centuries and countries, in which patients, fools, and the actors of medieval farces rise up from the past along with great thinkers who represent the author's own philosophical and literary sources: the humanist Erasmus, mathematician René Thom, writer Antonin Artaud, philosophe...
Screen Shots
In the last two decades, amid the global spread of smartphones, state killings of civilians have increasingly been captured on the cameras of both bystanders and police. Screen Shots studies this phenomenon from the vantage point of the Israeli occupation of Palestinian territories. Here, cameras have proliferated as political tools in the hands of a broad range of actors and institutions, including Palestinian activists, Israeli soldiers, Jewish settlers, and human rights workers. All trained their lens on Israeli state violence, propelled by a shared dream: that advances in digital photography—closer, sharper, faster—would advance their respective political agendas. Most would be let down. Drawing on ethnographic work, Rebecca L. Stein chronicles Palestinian video-activists seeking justice, Israeli soldiers laboring to perfect the military's image, and Zionist conspiracy theorists accusing Palestinians of "playing dead." Writing against techno-optimism, Stein investigates what camera dreams and disillusionment across these political divides reveal about the Israeli and Palestinian colonial present, and the shifting terms of power and struggle in the smartphone age.
Art and Visibility in Migratory Culture
This book explores the idea that art can enact small-scale resistances against the status quo in the social domain. These acts, which we call “little resistances,” determine the limited yet potentially powerful political impact of art. From different angles, seventeen authors consider the spaces where art events occur as “political spaces,” and explore how such spaces host events of disagreements in migratory culture. The newly coined word “migratory” refers to the sensate traces of the movements of migration that characterize contemporary culture. In other words, movement is not an exceptional occurrence in an otherwise stable world, but a normal, generalized process in a world that cannot be grasped in terms of any given notion of stability. Thus the book offers fresh reflections on art’s power to move people, in the double sense of that verb, and shows how it helps to illuminate migratory culture’s contributions to this process.
Of What One Cannot Speak
Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salced...
Colonial Memory
Sarah De Mul is a Postdoctoral Fellow of the Research Foundation Flanders (FWO-Vlaanderen) in the Department of Literary Studies at the University of Leuven. Her publications and research interests are in the field of comparative postcolonial studies, with a particular focus on gender, memory, and empire in Neerlandophone and Anglophone literature.
