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Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere. By carefully examining these developments against the backdrop of the deflation of the contemporary art bubble in 2008, "Art of the Deal" is a must-read book that demystifies collecting and investing in today's art market.
Collecting the Now offers a new, in-depth look at the economic forces and institutional actors that have shaped the outlines of postwar art history, with a particular focus on American art, 1960–1990. Working through four case studies, Michael Maizels illuminates how a set of dealers and patrons conditioned the iconic developments of this period: the profusions of pop art, the quixotic impossibility of land art, the dissemination of new media, and the speculation-fueled neo-expressionist painting of the 1980s. This book addresses a question of pivotal importance to a swath of art history that has already received substantial scholarly investigation. We now have a clear, nuanced understandi...
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at on...
"In this book, Noah Horwitz argues that the age of Darwinism is ending. Building on the ontological insights of his first book Reality in the Name of God in order to intervene into the intelligent design versus evolution debate, Horwitz argues in favor of intelligent design by attempting to demonstrate the essentially computational nature of reality. In doing so, Horwitz draws on the work of many of today's key computational theorists (e.g., Wolfram, Chaitin, Friedkin, Lloyd, Schmidhuber, etc.) and articulates and defends a computational definition of life, and in the process lays out key criticisms of Darwinism. He does so in part by incorporating the insights of the Lamarckian theories of ...
This is the first sourcebook to trace the emergence and evolution of art markets in the Western economy, framing them within the larger narrative of the ascendancy of capitalist markets. Selected writings from across academic disciplines present compelling evidence of art's inherent commercial dimension and show how artists, dealers, and collectors have interacted over time, from the city-states of Quattrocento Italy to the high-stakes markets of postmillennial New York and Beijing. This approach casts a startling new light on the traditional concerns of art history and aesthetics, revealing much that is provocative, profound, and occasionally even comic. This volume's unique historical pers...
The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a high...
Liberal civilisation is in crisis - now is a time of monsters. The rise of the new far right has left the world grappling with a profound misunderstanding. While the spotlight often shines on the actions of charismatic leaders such as Donald Trump and Jair Bolsonaro, the true peril lies elsewhere. Defeating these people will not stem the tide driving them forward. They are merely the embodiment of profound forces that are rarely understood. Propelled through the vast networks of social media and fueled by far-right influencers, enthralled by images of disaster and fantasies of doom, they have emerged from a reservoir of societal despair, fear, and isolation. Within this seething cauldron, we...
The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art and its Market is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?
Global Warming has become perhaps the most complicated issue being faced by world leaders. Thus, it requires field of attention for many modern societies, power and energy engineers, academicians, researchers and stakeholders. The so-called consensus in the past century anthropogenically induced Global Warming, has recently been disputed by rising number of climate change panelists. Whatever the uncertainties of climate models are, mankind has to strive towards reduction in the amount of greenhouse gases emitted into the atmosphere in order to preserve natural resources and living organisms by introducing new advances on alternative fuels and other related technologies. This book presents the state-of-the-science fundamentals on the origin of Global Warming and other related technologies that can be implemented to reduce human impact as well as to present novel policies that world leader should adopt. In this book, chapters received from various authors are placed in three sub- sections in a sequential and easy manner so as to strive an appropriate balance between breadth and depth of coverage of various topics.
Earth and its inhabitants face an unprecedented crisis--the human-caused destruction of the planet's life support systems. Deteriorating climate bringing super storms, mass forest fires, melting glaciers, droughts, extreme heat and rising seas, a decline in food production, soil loss, water pollution and declining fisheries all threaten the future of life on earth with a looming extinction event not seen for 60 million years. Beginning in the 17th century, we developed a civilization based on radical materialism, exploitation of natural resources and the myth of endless economic growth. For all its technological wonders, this "hypercivilization" has proven unsustainable. This book explores ways we can create an "ecocivilization" compatible with the laws and limits of nature--a new way of living already developing, with new technologies, new forms of social organization and a new story about ourselves and the Earth.