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Trans and gender diverse people have always been present in Australian life, whether they've lived quiet lives in the country, performed in cabaret shows, worked on the streets or run for parliament. But over the last century there have been remarkable changes in how they have identified and expressed themselves. Transgender Australia is the first book to chart the changing social, medical, legal and lived experiences of trans and gender diverse people in Australia since 1910. Drawing on over a hundred oral history interviews and previously unexamined documents and media reports, it highlights how trans people have tried to live authentically while navigating a society that often treated them like outcasts. It is the first book to chart the history of gender diverse Australians, exploring both progress and ongoing battles. It is also a celebration of ways that transgender participation has enriched our lives in all its cultural diversity.
A transnational history of how Indigenous peoples mobilised en masse to support the war effort on the battlefields and the home fronts.
In the campaign against Japan in the Pacific during the Second World War, the armed forces of the United States, Australia, and the Australian colonies of Papua and New Guinea made use of indigenous peoples in new capacities. The United States had long used American Indians as soldiers and scouts in frontier conflicts and in wars with other nations. With the advent of the Navajo Code Talkers in the Pacific theater, Native servicemen were now being employed for contributions that were unique to their Native cultures. In contrast, Australia, Papua, and New Guinea had long attempted to keep indigenous peoples out of the armed forces altogether. With the threat of Japanese invasion, however, the...
Since the Second World War the Australian military has undergone remarkable transformations in the way it has treated lesbian, gay, bisexual, transgender and intersex service members: it has shifted from persecuting, hunting and discharging LGBTI members to embracing them as valued members who enhance the Force's capabilities. LGBTI people have served in the Australian military since its very beginnings, yet Australian Defence Force histories have been very slow to recognise this. Pride in Defence confronts that silence. It charts the changing policies and practices of the ADF, illuminating the experiences of LGBTI members in what was often a hostile institution. Drawing on over 140 interviews and previously unexamined documents, Pride in Defence features accounts of secret romances, police surveillance and traumatic discharges. At its centre are the courageous LGBTI members who served their country in the face of systemic prejudice. In doing so, they showed the power of diversity and challenged the ADF to make it a far stronger institution.
Since the Second World War the Australian military has undergone remarkable transformations in the way it has treated lesbian, gay, bisexual, transgender and intersex service members: it has shifted from persecuting, hunting and discharging LGBTI members to embracing them as valued members who enhance the Force’s capabilities. LGBTI people have served in the Australian military since its very beginnings, yet Australian Defence Force histories have been very slow to recognise this. Pride in Defence confronts that silence. It charts the changing policies and practices of the ADF, illuminating the experiences of LGBTI members in what was often a hostile institution. Drawing on over 140 interviews and previously unexamined documents, Pride in Defence features accounts of secret romances, police surveillance and traumatic discharges. At its centre are the courageous LGBTI members who served their country in the face of systemic prejudice. In doing so, they showed the power of diversity and challenged the ADF to make it a far stronger institution.
Australian LGBT servicemen and women
The role of Aboriginal servicemen and women has only recently been brought to the forefront of conversation about Australia’s war history. This important book makes a key contribution to recording the role played by Indigenous Australians in our recent military history. Written by two respected historians and based on a substantial number of interviews with Indigenous war veterans who have hitherto been without a voice, it combines the best of social and military history in one book. This will be the first book to focus on this previously neglected part of Australian social history.
The effects of the War outside present-day Vietnam are ongoing. Substantial Vietnamese communities in countries that participated in the conflict are contributing to renewed interpretations of it. This collection of new essays explores changes in perceptions of the war and the Vietnamese diaspora, examining history, politics, biography and literature, with Vietnamese, American, Australian and French scholars providing new insights. Twelve essays cover South Vietnamese leadership and policies, women and civilians, veterans overseas, smaller allies in the war (Australia), accounts by U.S., Australian and South Vietnamese servicemen as well as those of Indigenous soldiers from the U.S. and Australia, memorials and commemorations, and the legacy of war on individual lives and government policy.
After decades of silence, Serving Our Country is the first comprehensive history of Aboriginal and Torres Strait Islander people's participation in the Australian defense forces. While Indigenous Australians have enlisted in the defense forces since the Boer War, for much of this time they defied racist restrictions and were denied full citizenship rights on their return to civilian life. In Serving Our Country, Mick Dodson, John Maynard, Joan Beaumont, Noah Riseman, Alison Cadzow, and others, reveal the courage, resilience, and trauma of Indigenous defense personnel and their families, and document the long struggle to gain recognition for their role in the defense of Australia.
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.