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The Market and its Critics (Routledge Revivals)
The Market and Its Critics, first published in 1988, considers the reaction of socialist writers to the growth of the market economy in nineteenth century Britain, and examines in detail the diverse elements of the critique which they formulated. Dr Thompson looks at the theoretic and thematic continuities and discontinuities over the century, structuring his study around the idea of a changing socialist response to the market economy. Much of the literature in question is comprehensive, perceptive and acute. However, the writers invariably discounted the possibility of the market playing a role in a future socialist or communist commonwealth. The solutions they posited to the problem were inapplicable to the increasingly industrial economy of the time. It was this that left their writing vulnerable to attack, and which had profound consequences both for the fate of the socialist political economy in nineteenth century Britain and its subsequent evolution in the twentieth century.
In Practice
This book reflects on popular politics in Britain during the turbulent period of industrialization, focusing on how political meanings were produced and sustained. It is also a spirited series of responses to the changing terrain of historical studies. It takes as its starting point the goal of defining a middle ground between E. P. Thompson’s concept of cultural materialism and the postmodern view of culture as a system of signs and codes (with emphasis on the linguistic grounding of experience). The first part of the book evaluates and critiques the work of two of the most influential proponents of the linguistic turn in British historical writing: Gareth Stedman Jones and Patrick Joyce. The second part contains four case studies: the first two treating British political culture in the age of the French Revolution, the third dealing with the role of space in historical reasoning, and the fourth assessing the role of gentleman leaders within popular movements.
Striking a Bargain
This is a fundamental reassessment of the work of William Holman Hunt, and the first critical text to reproduce his pictures in colour and set him on an international stage. Introducing a new critique of the autobiography and drawing on hundreds of private letters, drawings and paintings, the author depicts a radical man of his times, deeply troubled by the pivotal concerns of the materialist age - the isolation of the individual, the collapse of faith and the status of art - and seeking solutions through a systematic testing of the extremes of painting. A close examination of the pictures, including neglected later works, combined with recent scientific research relate the physical act of painting, and the paint, back to the body of the artist. Lavishly illustrated and engagingly written, this book answers the longstanding lack of any monograph on Hunt and will make compelling reading for undergraduate and graduate students of History of Art, Victorian Studies, English Literature and Religious Studies, as well as curators, conservators and the artist's many admirers.
The Struggle for Market Power
An account of the respective market ideologies of capital and labour during the Industrial Revolution.
The Struggle for the Breeches
"In its analysis of gender and class relations and their political forms, in giving voice to the many who have left only a fleeting trace in the historical record, Clark's study is a pioneering classic. . . . It also has a salience for many of our present social and political dilemmas."—Leonore Davidoff, Editor, Gender and History "Deeply researched, scholarly, serious, important. This is a big book that develops a significant new line of inquiry on a classic story in modern history—the making of the English working class. Clark shows in great and persuasive detail how we might read this tale through the lens of gender."—Thomas Laqueur, author of Making Sex
Albion
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House documents
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The Body Economic
The Body Economic revises the intellectual history of nineteenth-century Britain by demonstrating that political economists and the writers who often presented themselves as their literary antagonists actually held most of their basic social assumptions in common. Catherine Gallagher demonstrates that political economists and their Romantic and early-Victorian critics jointly relocated the idea of value from the realm of transcendent spirituality to that of organic "life," making human sensations--especially pleasure and pain--the sources and signs of that value. Classical political economy, this book shows, was not a mechanical ideology but a form of nineteenth-century organicism, which put...
The Culture of the Market
A collection of thirteen essays examining how 'the market' has been perceived, represented and experienced differently in different epochs.
