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A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.
In the decades after the French Revolution, philosophers, artists, and social scientists set out to chart and build a way to a new world and their speculative blueprints circulated like banknotes in a parallel economy of ideas. Examining representations of ideal societies in nineteenth-century French culture, Daniel Sipe argues that the dream-image of the literary or art-historical utopia does not disappear but rather is profoundly altered by its proximity to the social utopianism of the day. Sipe focuses on this persistent afterlife in utopias ranging from François-René de Chateaubriand’s Amerindian utopia in Atala (1801) to the utopian spoof of J.J. Grandville’s illustrated novel Un ...
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive st...
This title is one in a series presenting four masterpieces by four immortal nineteenth-century French painters. Each miniature book faithfully reproduces its title painting on the front cover, and is packaged in a handsome slipcase that doubles as a picture frame. The frame can stand up on a desk or tabletop or be hung on the wall to display the book cover's striking painting. Each book's interior discusses its title painting, describing the artist's approach to his work, analyzing the picture's fine points, and showing close-up details from the painting. A final two-page spread presents a timeline capsule biography that lists significant events in the painter's life. Van Gogh--Starry Night shows and discusses Vincent Van Gogh's masterpiece, which is a mystically glowing nighttime landscape, and ranks today as one of the artist's most popular and beloved paintings.
The book presents the theoretical and methodical foundations of the award-winning Beyond Bending exhibition at the Venice Architecture Biennale in 2016, giving in-depth analyses, interviews and numerous illustrations and drawings for insight into the making of the exhibition's centerpiece, the Armadillo Vault. The Block Research Group is the DETAIL Reader Prize Winner for 2016.
A volume which explores Van Gogh's oeuvre through two fundamental aspects of his artistic identity: his love for the countryside and his attachment to the city. Admired for his light-filled landscapes as much as for his impassioned portraits, Vincent van Gogh was an impetuous painter with a cavalier disregard for convention when it suited him. At the same time he was a sophisticated thinker, fluent in several languages, and trained as an art dealer. Though often plagued by several doubts about his work, he was immensely ambitious and ultimately had a clear sense of his oeuvre as a whole and the place it was to take in the history of art. Such apparently contradictory positions define much of...
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Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Consider...
Vanishing paradise" offers a fresh take on the modernist primitivism of the French painter Paul Gauguin, the exoticism of the American John LaFarge, and the elite tourism of the American writer Henry Adams. Childs explores how these artists wrestled with the elusiveness of paradise and portrayed colonial Tahiti in ways both mythic and modern.
The first book to examine the iconic depiction of evolution, the “march of progress,” and its role in shaping our understanding of how humans evolved We are all familiar with the “march of progress,” the representation of evolution that depicts a series of apelike creatures becoming progressively taller and more erect before finally reaching the upright human form. Its emphasis on linear progress has had a decisive impact on public understanding of evolution, yet the image contradicts modern scientific conceptions of evolution as complex and branching. This book is the first to examine the origins and history of this ubiquitous and hugely consequential illustration. In a story spanni...