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Attention, boys, girls, and nonbinary sorcerers, The enclosed chapters depict our harrowing journey to safeguard humanity from a vindictive, jealous sorcerer and his plot to resurrect the world's most deadly sorceress. Yes, really. We bet you are wondering why this jealous man decided to raise a woman from the dead. For that answer, we suggest you start reading. This explanation is going to take a while. Before you start, however, we do want to offer these words of wisdom: Know who your friends are. Know that they are trustworthy. And, above all, know that you will never be defined by your family tree. And sometimes, it's better to not know your roots. So put down that genealogy test. Trust us. You really don't want to find out. We didn't.
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Sébastian de Ganay's almost life-sized full body portraits consist of his trademark folds of plastic that literally create waves of relief--there is a balanced push-pull, background-foreground figure effect that is supported by the luminous white void on which all the figures float. They sometimes read as sculptures. On the other hand, the walls, cubes, cylinders and circles of de Ganay's sculptures, with their bright car-paint monochromes and curved or straight geometric picture planes, foreground their viewers almost like the figures in his portraits against their white voids. They sometimes read as paintings. This comprehensive full-color volume of de Ganay's portraits and sculptures includes an essay on his work, as well as an interview with the artist.