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Irish Theatre in the Twenty-First Century
  • Language: en
  • Pages: 257

Irish Theatre in the Twenty-First Century

Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and...

The Wheelchair on My Face; Charolais; The Humours of Bandon
  • Language: en
  • Pages: 114

The Wheelchair on My Face; Charolais; The Humours of Bandon

This hilarious volume brings together three funny, vibrant and theatrical monologue plays for female performers. The Wheelchair on My Face by Sonya Kelly Sonya tells her story about growing up with poor vision that went undiagnosed until she was seven years old. Combining memoir, theatre and stand-up comedy, this delightful story of a myopic child shows us how we can better the world even if we cannot see the world. Charolais by Noni Stapleton A dark comedy of love, longing and an intense rivalry with a Charolais cow. Siobhán is forced to share the affections of her farmer boyfriend with his beloved, prize-winning French heifer. Overcome with desire, Siobhán develops a homicidal jealousy f...

The Golden Thread
  • Language: en
  • Pages: 264

The Golden Thread

This two-volume edited collection illuminates the valuable counter-canon of Irish women’s playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting t...

The Wheelchair on My Face; Charolais; The Humours of Bandon
  • Language: en
  • Pages: 112

The Wheelchair on My Face; Charolais; The Humours of Bandon

This hilarious volume brings together three funny, vibrant and theatrical monologue plays for female performers. The Wheelchair on My Face by Sonya Kelly Sonya tells her story about growing up with poor vision that went undiagnosed until she was seven years old. Combining memoir, theatre and stand-up comedy, this delightful story of a myopic child shows us how we can better the world even if we cannot see the world. Charolais by Noni Stapleton A dark comedy of love, longing and an intense rivalry with a Charolais cow. Siobhán is forced to share the affections of her farmer boyfriend with his beloved, prize-winning French heifer. Overcome with desire, Siobhán develops a homicidal jealousy f...

The Hunter
  • Language: en
  • Pages: 481

The Hunter

A New York Times Bestseller • A Washington Post Best Thriller of 2024 • A New York Times Best Thriller of the Year (So Far) • An NPR Favorite Fiction Read of 2024 • A Parade Best Book of 2024 So Far • A New York Times Best Crime Novel of the Year (So Far) “Extraordinary.”—Maureen Corrigan, The Washington Post “Hailed as the queen of Irish crime fiction, French spins a taut tale of retribution, sacrifice, and family.” —TIME From the New York Times bestselling author of The Searcher and “one of the greatest crime novelists writing today” (Vox), a spellbinding new novel set in the Irish countryside. It’s a blazing summer when two men arrive in a small village in the ...

Before
  • Language: en
  • Pages: 48

Before

Some folk are impossible to buy for. Mama said it's because they are usually the ones who are impossible to know... Before is set in Clerys of Dublin, on the very day this iconic department store shuts - for good. Pontius is inside, trying to choose a gift for his estranged daughter, whom he hasn't seen for almost 20 years. He will meet her in an hour. This father's journey is both beautiful and strange, from the isolation of his Midlands home to the madness of O'Connell Street. Before is a new play with much music, which follows the runaway international success of Fishamble's Pat Kinevane Trilogy (Forgotten, Silent and Underneath), which have won Olivier, Scotsman Fringe First, Herald Angel, Argus Angel, Adelaide Fringe and Stage Raw LA awards. This edition was published to coincide with the original production which was first produced by Fishamble: The New Play Company in November 2018.

Heaven
  • Language: en
  • Pages: 57

Heaven

I am getting nearer to something. The answer to the question. Who am I? A woman who leaves her husband very suddenly for an old lover and heads to a cottage in Kerry? I needed someone strong. Someone who would sweep me along. Keep me here. In this world. Not allow me to wander down below, and I wanted a child. I dearly wanted a child. Mairead and Mal are struggling to keep their marriage together. Perhaps attending a wedding will help, or it might raise questions that are difficult to answer. Poignant, funny, and beautiful, Heaven is a new play that is full of humanity. It is presented by the Olivier Award-winning Fishamble, and written by Eugene O'Brien (winner of the Rooney Prize for Literature). This edition was published to coincide with the world premiere at the Dublin Theatre Festival, followed by an Irish tour, in Autumn 2022.

Horror Television in the Age of Consumption
  • Language: en
  • Pages: 331

Horror Television in the Age of Consumption

  • Type: Book
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  • Published: 2017-11-15
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  • Publisher: Routledge

Characterized as it is by its interest in and engagement with the supernatural, psycho-social formations, the gothic, and issues of identity and subjectivity, horror has long functioned as an allegorical device for interrogations into the seamier side of cultural foundations. This collection, therefore, explores both the cultural landscape of this recent phenomenon and the reasons for these television series’ wide appeal, focusing on televisual aesthetics, technological novelties, the role of adaptation and seriality, questions of gender, identity and subjectivity, and the ways in which the shows’ themes comment on the culture that consumes them. Featuring new work by many of the field’s leading scholars, this collection offers innovative readings and rigorous theoretical analyses of some of our most significant contemporary texts in the genre of Horror Television.

Irish Drama and Theatre Since 1950
  • Language: en
  • Pages: 281

Irish Drama and Theatre Since 1950

Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wid...

KING
  • Language: en
  • Pages: 35

KING

No Man or Woman should have to suffer oppression Luther. It's your Birthright to be free, my Love. KING tells the story of Luther, a man from Cork named in honour of his Granny Bee Baw's hero, Dr Martin Luther King Jr.. Luther only leaves his apartment for essential journeys, and to perform as an Elvis impersonator. The play explores oppression, privilege, and resilience, as Luther struggles to live life to the full. This edition is published to coincide with the premiere production by Fishamble in February 2023. It is the fifth solo play by Pat Kinevane, following Forgotten, Silent, Underneath, and Before, which are the winners of many international awards, including the Olivier, Helen Hayes, Herald Archangel, and Scotsman Fringe Firsts.