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Still Life
How do the objects in a still life reflect the customs, ideas and aspirations of the time? This is one of the questions which Schneider asks in this book. Still lifes chart the history of scientific discoveries and their acceptance as well as the gradual replacement of the mediaeval concept of the world.
Vermeer, 1632-1675
Vermeer's record of the tasks and duties of women The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art. Most of his pictures (all of which are reproduced in this book) show women about their daily business. Vermeer records the tasks and duties of women, the imperatives of virtue under which their lives were lived, and the dreams that provided the substance of their contrasting counter-world. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Research Handbook on the Sociology of the Family
Exploring how family life has radically changed in recent decades, this comprehensive Research Handbook tracks the latest developments and trends in scholarly work on the family. With a particular focus on the European context, it addresses current debates and offers insights into key topics including: the division of housework, family forms and living arrangements, intergenerational relationships, partner choice, divorce and fertility behaviour.
Tracing Mobilities
Mobility is a basic principle of modernity besides others like individuality, rationality, equality and globality. Taking its cue from this concept, this book presents a movement that begins with the macro-social transformations linked to mobility and ends with empirical discussions on the new forms of mobility and their implications for everyday life. The book opens with a study of the social changes unique to the second age of modernity, with contributions from Ulrich Beck, John Urry, Wolfgang Bonss and Sven Kesselring. It continues with a discussion of the implications of these changes for sociological research. Authors such as Vincent Kaufmann, Weert Canzler, Norbert Schneider, Beate Collet, Ruth Limmer and Gerlinde Vogl focus on a series of field examinations, both qualitative and quantitative, of emerging mobilities. The book is a foray into the exciting new field of interdisciplinary mobility research informed by theoretical reflection and empirical investigation.
Vermeer
The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art. Little is known of Vermeer's early life and training, though we can be certain that he never knew great success or acclaim during his lifetime, and after his death - reputedly in part because of the stress of his debts - his work was almost completely forgotten for the best part of two centuries. And yet today he is acknowledged as an exquisitely talented and highly original artist.
Gender Orders Unbound?
During the last thirty years, the modernisation of gender relations has been dynamic and comprehensive, shaped by the conflicting forces of globalisation as well as women’s movements around the world. As the patterns of segregation and discrimination of the classical industrial gender order erode, new complexities and contentions in gender relations emerge at various sites such as politics, work and families. The main aim of the book is to trace formal as well as informal gender contracts as they emerge in everyday life and also in new norms and regulations set by states and enterprises. Core issues are the chances and the barriers for equality and new forms of gender reciprocity and solidarity.
The Art of the Flower
The "flower piece" has existed as an art genre since the 16th century, but for decades the floral still life was considered unworthy of artists' attention because of its alleged superficiality and bourgeois banality. But now in the nineties, this old motif is enjoying a revival. ART OF THE FLOWER places the genre in its historical perspective.
Rembrandt, 1606-1669
Baroque.
Still Life in Photography
The genre of still life is considered from a wide range of visual perspectives as it spans the history of photography from the early nineteenth century to the present.
