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'A masterpiece ... the greatest novel of the Holocaust' The Guardian A haunting, dreamlike portrayal of the encroaching horror of the Holocaust onto a genteel MittelEuropean resort town Badenheim, a resort town near the forests of Vienna, is preparing for the arts festival of the summer season. The hotel workers and local tradespeople rush to prepare the small town for the influx of vacationers. But just as the season is getting into full swing, a small note appears on a municipal notice board: the Sanitation Department is announcing an increase in its jurisdiction. No one knows what the Sanitation Department is, but no matter – the festival carries on. Soon inspectors are spread all over ...
This is the second book of a series treating the hypotrichs, a major part of the spirotrichous ciliates. It summarises 230 years of morphological, morphogenetic, faunistic, and ecological data, heretofore scattered in some 1,300 references around the world. The book provides taxonomists, cell biologists, and ecologists with a thorough survey supplying synonyms, nomenclature and systematics, and an extensive description of morphology and ecology, including almost all published records, for each species.
This book discusses all aspects of computing for expressive performance, from the history of CSEMPs to the very latest research, in addition to discussing the fundamental ideas, and key issues and directions for future research. Topics and features: includes review questions at the end of each chapter; presents a survey of systems for real-time interactive control of automatic expressive music performance, including simulated conducting systems; examines two systems in detail, YQX and IMAP, each providing an example of a very different approach; introduces techniques for synthesizing expressive non-piano performances; addresses the challenges found in polyphonic music expression, from a statistical modelling point of view; discusses the automated analysis of musical structure, and the evaluation of CSEMPs; describes the emerging field of embodied expressive musical performance, devoted to building robots that can expressively perform music with traditional instruments.
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This volume invites to bridge the traditional gap between the author and the scribes, which means between the "original text" and the “copies” in order deal with more complex situations, in which the performer, the screenwriter, or the director...
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