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Machado: A Dialogue With Time
  • Language: en
  • Pages: 220

Machado: A Dialogue With Time

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The Year's Work in Medievalism, 2010
  • Language: en
  • Pages: 159

The Year's Work in Medievalism, 2010

The Year's Work in Medievalism, volume XXV, is based upon but not restricted to the 2010 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences for the International Society for the Study of Medievalism, Gwendolyn Morgan, and, for 2009, Dr. Pam Clements. The Year's Work in Medievalism also publishes bibliographies, book reviews, and announcements for conferences and other events. Richard Utz, Pi(o)us Medievalism vs. Catholic Modernism: The Case Of George Tyrell Martha Oberle, The Legacy of the Medieval Mendicant Orders Chelsea Gunter, Mysticism and Messianism in the Poetry of Paul Celan William Calin, Postcolonialism and Medievalism: How F...

Literary Symbiosis
  • Language: en
  • Pages: 269

Literary Symbiosis

"It is only the unimaginative who ever invents," Oscar Wilde once remarked. "The true artist is known by the use he makes of what he annexes, and he annexes everything." Converying a similar awareness, James Joyce observes in Finnegan's Wake that storytelling is in reality "stolen-telling," that art always involves some sort of "theft" or borrowing. Usually literary borrowings are so integrated into the new work as to be disguised; however, according to David Cowart, recent decades have seen an increasing number of texts that attach themselves to their sources in seemingly parasitic—but, more accurately, symbiotic—dependence. It is this kind of mutuality that Cowart examines in his wide-...

Frank O'Hara and the Poetics of Saying 'I'
  • Language: en
  • Pages: 180

Frank O'Hara and the Poetics of Saying 'I'

While recent works of criticism on Frank O'Hara have focused on the technical similarities between his poetry and painting, or between his use of language and poststructuralism, Frank O'Hara and the Poetics of Saying 'I' argues that what is most significant in O'Hara's work is not such much his 'borrowing' from painters or his proto-Derridean use of language, but his preoccupation with self exploration and the temporal effects of his work as artifacts. Following Pasternak's understanding of artistic inspiration as an act of love for the material world, O'Hara explores moments of experience in an effort to both complicate and enrich our experience of the material world. On the one hand, in po...

Library Journal
  • Language: en
  • Pages: 736

Library Journal

  • Type: Book
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  • Published: 1969
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  • Publisher: Unknown

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Reading and Fiction in Golden-Age Spain
  • Language: en
  • Pages: 226

Reading and Fiction in Golden-Age Spain

Dr Ife here examines the connection between the objections to Spanish Golden Age fiction and those raised two thousand years earlier by Plato.

Guide to the Hispanic American Historical Review, 1956-1975
  • Language: en
  • Pages: 442
Catalog of Copyright Entries. Fourth Series
  • Language: en
  • Pages: 1130

Catalog of Copyright Entries. Fourth Series

  • Type: Book
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  • Published: 1962
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  • Publisher: Unknown

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Angel Ganivet
  • Language: en
  • Pages: 142

Angel Ganivet

  • Type: Book
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  • Published: 1985
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  • Publisher: Tamesis

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United States Civil Aircraft Register
  • Language: en
  • Pages: 968

United States Civil Aircraft Register

  • Type: Book
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  • Published: 1978
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  • Publisher: Unknown

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