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Sergius Seeks Bacchus
Sergius Seeks Bacchus is a heartbreaking and humorous rumination on what it means to be in the minority in terms of sexuality, ethnicity, and religion. Drawing on the poet's life as an openly gay writer of Bataknese descent and Christian background, the collection furnishes readers with an alternative gospel, a book of bittersweet and tragicomic good news pieced together from encounters with ridicule, persecution, loneliness, and also happiness. The thirty-three poems in Norman Pasaribu's prize-winning debut display a thrilling diversity of style, length, and tone, and telescope out from individual experience to that of fellow members of the queer community, finding inspiration equally in the work of great Indonesian poets and the international literary canon, from Dante to Herta Müller.
Happy Stories, Mostly
In their stunning fiction debut, queer Indonesian writer Norman Erikson Pasaribu blends together speculative fiction and dark absurdism, drawing from Batak and Christian cultural elements. Longlisted for the International Booker Prize, Happy Stories, Mostly introduces “one of the most important Indonesian writers today” (Litro Magazine). These twelve short stories ask what it means to be almost happy—to nearly find joy, to sort-of be accepted, but to never fully grasp one's desire. Joy shimmers on the horizon, just out of reach. An employee navigates their new workplace, a department of Heaven devoted to archiving unanswered prayers; a tourist in Vietnam seeks solace following her son’s suicide; a young student befriends a classmate obsessed with verifying the existence of a mythical hundred-foot-tall man. A tragicomic collection that probes the miraculous, melancholy nature of survival amid loneliness, Happy Stories, Mostly considers an oblique approach to human life: In the words of one of the stories’ narrators, “I work in the dark. Like mushrooms. I don’t need light to thrive.”
The Majesties
Named one of the most anticipated books of the year by The Millions, CrimeReads, HelloGiggles, and The EveryGirl “A dark, delicious tale that will creep its way into your brain and leave you examining your own soul for signs of moral rot. I downed it in one greedy shot.” —Jade Chang, author of The Wangs vs. the World “Tiffany Tsao’s visceral debut…reads a bit like Crazy Rich Asians if the book began with familicide instead of romance...Why not start off the new year with the perfect tear-it-all-down read?” —CrimeReads In this riveting tale about the secrets and betrayals that can accompany exorbitant wealth, two sisters from a Chinese-Indonesian family grapple with the past a...
Deviant Disciples
Deviant Disciples features five prominent Indonesian women poets of different generations and cultural backgrounds. Their work demonstrates the powerful ways in which feminist resistance has been articulated in the non-Western World: playful or angry, and always fearless. Edited by writer Intan Paramaditha and translated by Elisa Vitri Handayani, Norman Erikson Pasaribu and Tiffany Tsao, this chapbook collects poems by the legendary poet and philosophy professor Toeti Heraty as well as work by Shinta Febriany, Dorothea Rosa Herliany, Hanna Fransisca and Zubaidah Djohar, showcasing women poets who use language as a tool to critique, reinterpret, and disobey. Translating Feminisms showcases in...
Apple and Knife
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100 Queer Poems
Mary Jean Chan and Andrew McMillan's luminous anthology, 100 Queer Poems, is a celebration of thrilling contemporary voices and visionary poets of the past. Featuring Elizabeth Bishop, Langston Hughes, Ocean Vuong, Carol Ann Duffy, Kae Tempest and many more. * A Guardian Best Poetry Book of the Year * * Shortlisted for the Books Are My Bag Readers Awards * Encompassing both the flowering of queer poetry over the past few decades and the poets who came before and broke new ground, 100 Queer Poems presents an electrifying range of writing from the twentieth century to the present day. Questioning and redefining what we mean by a 'queer' poem, you'll find inside classics by Elizabeth Bishop, La...
People from Bloomington
Winner of the 2023 PEN Translation Prize Winner of the 2023 NSW Premier’s Translation Prize An eerie, alienating, yet comic and profoundly sympathetic short story collection about Americans in America by one of Indonesia’s most prominent writers, now in an English translation for its fortieth anniversary, with a foreword by Intan Paramaditha A Penguin Classic In these seven stories of People from Bloomington, our peculiar narrators find themselves in the most peculiar of circumstances and encounter the most peculiar of people. Set in Bloomington, Indiana, where the author lived as a graduate student in the 1970s, this is far from the idyllic portrait of small-town America. Rather, sectio...
The High Caul Cap
The High Caul Cap is both the name of a traditional Irish air and a symbol for the link remaining after birth between mother and child. The caul was superstitiously regarded as a good omen and so kept at the hearth as a preservative against drowning. This symbolic gesture helps us to fathom the watery imagery in this volume, which traces the decline and death of the poet's mother. Medbh McGuckian's writing is always profoundly sensual, but now, with the maternal body at stake in its meditations, the physical takes on supernatural powers. Poetry relies on the senses for proof, much as the doubter relies on touch to be convinced of the miraculous. Mother-daughter relationships move down the ge...
The Near and the Far
From 21 of the best writers in the Asia-Pacific region comes a collection about finding connections where you least expect them. It’s a sweltering night in Kuala Lumpur, and a journalist is protesting in a city on the edge of meltdown. It’s post-9/11 San Francisco, and a woman meets her foster child, who provokes painful reminders of her past. It’s contemporary Bangkok, and a writer’s encounter with ladyboy culture prompts him to explore gender boundaries. And high in Queensland’s Border Ranges, a boy prone to getting lost is having six tiny silver bells pinned to his chest … The Near and The Far is what results when award-winning writers from Australia, Singapore, Vietnam, the P...
Autobiography of Death
Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.
