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A classic, prescient work dealing with myth and cult which traces the evolution of Hermes from sacred stoneheap and phallus to Homeric Hymn to Hermes and the Hesiodic poems.
Here is the final volume of Norman O. Brown's trilogy on civilization and its discontents, on humanity's long struggle to master its instincts and the perils that attend that denial of human nature. Following on his famous books Life Against Death and Love's Body, this collection of eleven essays brings Brown's thinking up to 1990 and the fall of Communism in Eastern Europe. Brown writes that "the prophetic tradition is an attempt to give direction to the social structure precipitated by the urban revolution; to resolve its inherent contradictions; to put an end to its injustice, inequality, anomie, the state of war . . . that has been its history from start to finish." Affiliating himself w...
A shocking and extreme interpretation of the father of psychoanalysis.
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Did you know that it is okay to get angry? In fact, anger is a proper and godly response to some of the challenges we face. While the Bible admonishes believers to be longsuffering, it also shows how anger can be a vital tool in God's hands for bringing about needed change. Written specifically for women and counselors, this insightful and practical book corrects the popular notion that good Christian women should never get angry--not for any reason, not at anyone, not ever. Foreword by Lisa Bevere.
From a parish workhouse to the heart of the industrial revolution, from debtors' jail to Cambridge University and a prestigious London church, Robert Blincoe's political, personal and turbulent story illuminates the Dickensian age like never before. In 1792 as revolution, riot and sedition spread across Europe, Robert Blincoe was born in the calm of rural St Pancras parish. At four he was abandoned to a workhouse, never to see his family again. At seven, he was sent 200 miles north to work in one of the cotton mills of the dawning industrial age. He suffered years of unrelenting abuse, a life dictated by the inhuman rhythm of machines. Like Dickens' most famous character, Blincoe rebelled af...
The Prophetic Tradition: The Challenge of Islam is an enlightening set of lectures given by Norman O. Brown during the 1980s, exploring a wide-ranging array of topics concerning Islam. Brown reveals the overlooked relationship between Islam and early Christianity, exploring Islam’s relation to, and revision of, the Christian tradition, the literary innovation of the Qu’ran, the nature of revolutionary and political Islam, and the vision of a world civilization. Throughout these lectures, which are remarkably pertinent today, Brown seeks to educate the reader on misunderstood areas of Islam, including the split between the Sunni and Shi’ite sects and Islam’s exemplification of the broad themes of art and imagination in human life. The author’s world-historical perspective of religion and tradition gives readers a crucial alternative to the divisive “clash of civilizations” view that paints Islam as at odds with the West. He exposes the unifying strands between Islam and early Judeo-Christian doctrine, showing that Islam is in fact a genuine part of “Western” tradition, and more importantly, part of a global tradition that embraces us all.
Since its initial publication, this highly respected text has provided students with a critical review of the major research paradigms in the social sciences and the logics or strategies of enquiry associated with them. This second edition has been revised and updated.
Despite an ever-expanding literature on Irish castles, the relationships between the castle building tradition in Ireland and those of contemporary Europe have attracted very little attention among Irish scholars. This book seeks to remedy this by approaching the corpus of Irish castles as a non-Irish scholar might do. Is there a case for dating the first castles in Ireland to the tenth century in line with the revised chronology of castle-building on the Continent? Are castles in Ireland typical of their periods by contemporary standards in England and France in particular? Are any castles in Ireland genuinely innovative or radical by those contemporary standards? What inferences about Ireland's place in medieval Europe can be drawn from the evidence of its castles and their forms?
Examines the body's largest organ, including its qualities, the history of its conditions and diseases, and the impact of its color and irregularity.