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Twenty-six of the world's top players talk about bridge -- their favorite hands, their worst moments, their most-feared opponents, and so on. We see the human side of people who to many bridge fans are just names, and we gather from them a series of tips and ideas that will help the reader improve his own game. The players covered are men and women from all parts of the world, and most will be household names for anyone who follows the game at all. The list runs from the old masters to the brightest new stars, and includes several whose contribution to the game is as a writer or teacher.
Broadway musicals of the 1900s saw the emergence of George M. Cohan and his quintessentially American musical comedies which featured contemporary American stories, ragtime-flavored songs, and a tongue-in-cheek approach to musical comedy conventions. But when the Austrian import The Merry Widow opened in 1907, waltz-driven operettas became all the rage. In The Complete Book of 1900s Broadway Musicals, Dan Dietz surveys every single book musical that opened during the decade. Each musical has its own entry which features the following: Plot summary Cast members Creative team Song lists Opening and closing dates Number of performances Critical commentary Film adaptations, recordings, and published scripts, when applicable Numerous appendixes include a chronology of book musicals by season; chronology of revues; chronology of revivals of Gilbert and Sullivan operettas; a selected discography; filmography; published scripts; Black musicals; long and short runs; and musicals based on comic strips. The most comprehensive reference work on Broadway musicals of the 1900s, this book is an invaluable and significant resource for all scholars, historians, and fans of Broadway musicals.
"Runnymede and Lincoln Fair" was the last story drawing upon the wars and great affairs of English history by John G. Edgar. This book's intended audience is a non-academic American readership, generally uninitiated into the events described. The book can fairly be called a work (narrative history) directed at a mass audience.
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