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The art and iconography of the Minoan civilisation of Bronze Age Crete is rightly described as having a refreshing vitality with a fortunate combination of stylisation and spontaneity in which the artist is able to transform conventional imagery into a personal expression. The dynamism, torsion and naturalism evident in Minoan art stands in stark contrast to the hieratic rigidity of other ancient civilisations, and nowhere is this more apparent than in the iconography of the Minoan Epiphany, a set of mainly glyptic (rings, seals, and seal impression) images which appear to depict religious celebrants experiencing direct and seemingly ecstatic encounters with deities. This collection of essay...
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections...
The exhibition "Beyond Babylon : Art, Trade, and Diplomacy in the Second Millennium B.C.," held in 2008 - 2009 at The Metropolitan Museum of Art, demonstrated the cultural enrichment that emerged from the intensive interaction of civilizations from western Asia to Egypt and the Aegean in the Middle and Late Bronze Ages. During this critical period in human history, powerful kingdoms and large territorial states were formed. Rising social elites created a demand for copper and tin, as well as for precious gold and silver and exotic materials such as lapis lazuli and ivory to create elite objects fashioned in styles that reflected contacts with foreign lands. This quest for metals--along with ...
This excavation of a Late Bronze Age town on the island of Mochlos in northeastern Crete includes the House of the Metal Merchant (with two large bronze hoards) and 13 other structures. Each building is described with its stratigraphy, architecture, small finds, ecofactual materials, function, and room use. This is a two volume set. Volume 1 contains the text and Volume 2 contains the Concordance, Tables, Figures, and Plates.
This volume presents the Greek text of approximately 200 stone inscriptions, which detail the laws of ancient Crete in the archaic and classical periods, c.650-400 BCE. The texts of the inscriptions, many of which are fragmentary and relatively unknown, are accompanied by an English translation and also two commentaries; one focused on epigraphical and linguistic issues, and the other, requiring no knowledge of Greek, focused on legal and historical issues. The texts are preceded by a substantial introduction, which surveys the geography, history, writing habits, social and political structure, economy, religion, and law of Crete in this period.
This is a unique two volume box set revealing the history of Crete's luminous Minoan civilization. Volume one is a catalogue of the over 280 objects that were included in the exhibition. It features detailed descriptions as well as excellent color photographs of the wide ranges of rare objects included in the exhibition. While each object is dealt with separately, the volume nonetheless covers numerous aspects of the Minoan culture such as Religion and Ritual, Scripts and Weights, Pots and Potters, Jewels for Life and Death, Masterpieces in Stone, and Warriors and Weaponry. Volume two completes the set by offering 19 essays by renowned scholars of Minoan archaeology. They delve into detailed...
This publication brings together prominent art historians, conservators, and scientists to discuss fresh approaches to the study of ancient Mediterranean and Near Eastern works of bronze. Featuring significant bronzes from the Harvard Art Museums' holdings as well as other museum collections, the volume's eight essays present technical and formal analyses in a format that will be useful for both general readers and students of ancient art. The text provides an overview of ancient manufacturing processes as well as modern methods of scientific examination, and it focuses on objects as diverse as large-scale statuary and more utilitarian armor, vessels, and lamps. Filling a current gap in the art historical literature, this book offers a much-needed, accessible introduction to ancient bronzes.
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An Early Bronze Age cemetery with 37 tombs shows strong relations with the Cyclades during the time of the Kampos Cultural Group, as exemplified by distinctive pottery, obsidian, and metal items. A dense social network included the Cycladic islands and contacts with distant areas of Crete.