You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
How do the literatures and cultures of oppressed societies survive and flourish in spite of the overdetermining conditions of precarity and injustice of which they are a product and against which they protest? Might the symptom of oppression become simultaneously the agent of its critique? Melancholy Acts offers richly nuanced reflections on these questions through a series of wide-ranging engagements with Arab thought, literature, and film in the aftermath of the 1948 dispossession of Palestinians and the 1967 military defeat of Arab armies. Melancholy Acts offers a psychoaffective theory of cultural production that arises out of the disjunction between political impoverishment and cultural...
By remapping the configurations of mourning across modernist, postmodernist, and postcolonial literatures, psychoanalysis and deconstruction (James Joyce, Jamaica Kincaid, Tahar Ben Jelloun, Elias Khoury, Sigmund Freud, and Jacques Derrida), Signifying Loss studies not only how loss is signified, but also the ethico-political significance of such signifying. First, by examining the dynamics between narrative tropes and mourning, it elaborates a poetics of narrative mourning in which prosopopoeia becomes the master trope of mourning while catachresis the master trope of melancholia and chiasmus of trauma. Second, it develops a situated and flexible theory of mourning, capable of adjusting to diverse contexts in which the ethical and political stakes of mourning are different-in short, Signifying Loss calls for the formulation of geopolitical and differential tactics of mourning and mournability rather that for a clear cut strategy of inconsolability.
Nine-year-old Suleiman is just awakening to the wider world beyond games on the hot pavement outside his home beyond the loving embrace of his parents. He becomes the man of the house when his father goes away on business - but then he sees his father, standing in the market square in a pair of dark glasses. Suddenly the wider world becomes a frightening place where parents lie and questions go unanswered. In his father's worrying absence, Suleiman turns to his mother, who, under the cover of night, entrusts him with the secret story of her childhood. And, as lies and fears intensify, it feels as if the walls of Suleiman's home will break with the secrets held within it.
This Anthology Assembles Sixteen Essays On Different Aspects Of Modern Criticism, By Some Of The Best Scholars From Six Countries And Four Continents. The Essays, Variously, Examine A Range Of Theoretical Perspectives, Point Up Key Issues In The Area Of Postcolonial Literary Studies, Or Open Up New Interdisciplinary Perspectives For The Future Of Criticism.Among The Critical Schools And Approaches Expounded By The Distinguished Contributors Are Postmodernism, Reader-Response Theory, Postcolonial Theory, Psychoanalytic Criticism, Feminist Criticism And Marxist Criticism. The Concluding Essays Bring The Critical Debate Right Up-To-Date By Suggesting New Critical Paths For The Internet Age.The Contributors Included Such Reputed Experts, From India And Abroad, As T. Ravichandran, Nouri Gana, Prakash Chandra Pradhan, N. Raveendran, Gangadhar Gadgil, Anthonia Kalu, Mala Pandurang, Subhendu Mund, Dámaso Javier Vicente Blanco, And Virgílio Augusto Fernandes Almeida. This Rich And Diverse Volume Will Prove An Invaluable Source Of Reference And Stimulus For Further Thought, For Students And Scholars Alike.
The novel is a largely imported European genre, coming relatively late to the history of Arab letters. It should therefore perhaps come as no surprise that the first novel to have been written by an Arab was written in English (Ameen Rihani's The Book of Khalid, 1911). However, subsequent years saw the flourishing of, first, Arabic novels, then the Francophone Arab novel. Only in the last two decades has the Anglophone Arab novel experienced a second coming, and it is this re-emergence of literary activity that is the focus of this collection. Opening up the field of diasporic Anglo Arab literature to critical debate, the Companion presents a range of critical responses and pedagogical approaches to the Anglo Arab novel. It offers both classroom-friendly essays and critically sophisticated analyses, bringing together original critical studies of the major Anglo Arab novelists from established and emerging scholars in the field.
This study highlights the connections between power, cultural products, resistance, and the artistic strategies through which that resistance is voiced in the Middle East. Exploring cultural displays of dissent in the form of literary works, films, and music, the collection uses the concept of 'cultural resistance' to describe the way culture and cultural creations are used to resist or even change the dominant political, social, economic, and cultural discourses and structures either consciously or unconsciously. The contributors do not claim that these cultural products constitute organized resistance movements, but rather that they reflect instances of defiance that stem from their peculiar contexts. If culture can be used to consolidate and perpetuate power relations in societies, it can also be used as the site of resistance to oppression in its various forms: gender, class, ethnicity, and sexuality, subverting existing dominant social and political hegemonies in the Middle East.
Social Currents in North Africa is a multi-disciplinary analysis of the social phenomena unfolding in the Maghreb today. The contributors analyse the genealogies of contemporary North African behavioral and ideological norms, and offer insights into post-Arab Spring governance and today's social and political trends. The book situates regional developments within broader international currents, without forgoing the distinct features of each socio-historical context. With its common historical, cultural, and socio-economic foundations, the Maghreb is a cohesive area of study that allows for greater understanding of domestic developments from both single-country and comparative perspectives. This volume refines the geo-historical unity of the Maghreb by accounting for social connections, both within the nation-state and across political boundaries and historical eras. It illustrates that non-institutional phenomena are equally formative to the ongoing project of post-colonial sovereignty, to social construction and deployments of state power, and to local outlooks on social equity, economic prospects, and cultural identity.
This book explores the phases of Jacques Lacan's career and examines the past, present, and future of psychoanalysis.
Focusing on the body as a site of rupture and signification, this book shifts the paradigm for the study of modernity in the Arab context from questions of representation, translation, and cultural exchange to an engagement with a genealogy of symptoms and affects embodied in texts from the nineteenth-century onward.
Examines art by over twenty-five artists to enable a greater understanding of the 'Arab Uprisings' and of the term 'revolution'.