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André Kertész
André Kertész's quest for authenticity made him one of the most influential photographers in the history of the medium. Kertész was one of the first modern photographers to create forms that cannot be reduced in aesthetic terms to a particular style.
Modernism and Ireland
An incisively argued collection of essays which sets out to look afresh at the landscape of Irish poetry in the 1930s.
The Great Escape
Extravagantly praised by critics and readers, this stunning story by bestselling author Kati Marton tells of the breathtaking journey of nine extraordinary men from Budapest to the New World, what they experienced along their dangerous route, and how they changed America and the world. This is the unknown chapter of World War II: the tale of nine men who grew up in Budapest's brief Golden Age, then, driven from Hungary by anti-Semitism, fled to the West, especially to the United States, and changed the world. These nine men, each celebrated for individual achievements, were part of a unique group who grew up in a time and place that will never come again. Four helped usher in the nuclear age and the computer, two were major movie myth-makers, two were immortal photographers, and one was a seminal writer. The Great Escape is a groundbreaking, poignant American story and an important untold chapter of the tumultuous last century.
Lucien Hervé
Lucien Hervé (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. Hervé approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, Hervé defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework. For too long, Hervé the master of architectural photography has eclipsed Hervé the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates Hervé's work as an artist, creating images that serve not simply as records but stand as works of a singular imagination.
Celebrating the Negative
Every photograph - whether family snapshot or museum masterpiece - comes to life out of the silver shadows in the negative. Yet the value and intrinsic beauty of the photographic negative have been woefully underappreciated. Auction houses disdain negatives of even the most celebrated photographs, insurance companies routinely underestimate their worth, and the general public never gets to see them. Only archivists, dealers and photographers themselves understand how priceless, unique and visually stunning negatives truly are. Celebrating the Negative rectifies matters in glorious fashion. John Loengard has tracked down and photographed the negatives of some of the most famous images ever ma...
Canadian Banker
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The Invention of Robert Bresson
Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.
The Kenyon Review
Editor: winter 1939-autumn 1941 J.C. Ransom.
Lost in Canada?
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