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Edited by one of the most prominent scholars in the field and including a distinguished group of contributors, this collection of essays makes a striking intervention in the increasingly heated debates surrounding the cultural dimensions of globalization. While including discussions about what globalization is and whether it is a meaningful term, the volume focuses in particular on the way that changing sites—local, regional, diasporic—are the scenes of emergent forms of sovereignty in which matters of style, sensibility, and ethos articulate new legalities and new kinds of violence. Seeking an alternative to the dead-end debate between those who see globalization as a phenomenon wholly ...
It was a scam. She was pregnant. Five years later, she returned with a treasure! Who would have thought that their child's father would become their younger sister's fiance! He thought that he could make his two children grow up just by giving up on them. He didn't expect that the noble and tyrannical man would be addicted to it, being held accountable to the three of them... "The child and I are well, so we don't need you!" I am a responsible man! You must fulfill your duties as a husband and a father. In order to give your child a complete home, you can only marry me! "Come, let's cultivate our feelings for each other first." Join Collection
In Li Jingjing's entire life, he had summed it up in a single sentence: Si Luoming, and Si Luoming was the loser. When he was young, he had chased after him, painstakingly becoming someone who could stand shoulder to shoulder with him. But in the end, it never occurred to her that he actually loathed her. Especially when she "indirectly killed" the person he had hidden in his heart, his hatred for her was no longer concealed. Only then did she know that she had suffered a crushing defeat after so many years.
A breathtaking introduction to Chinese multidirectional poems, told through the story of Su Hui, the greatest writer of these poems who embroidered a silk with 840 characters--equaling as many as 12,000 multidirectional poems--for her distant husband. For nearly two thousand years, the condensed language of classical Chinese has offered the possibility of writing poems that may be read both forward and backward, producing entirely different creations. The genre was known as the “flight of wild geese,” and the poems were often symbolically or literally sent to a distant lover, in the hope that he or she, like the migrating birds, would return. Its greatest practitioner, and the focus of t...
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This book is a comparative analysis of the poetry of Su Dongpo (1036-1101) and William Wordsworth. It focuses on the two poets' concepts of nature and the self with particular emphasis on their gradual change of thought from this worldliness to otherworldliness. Employing various approaches - thematic, philosophical, and biographical - the author presents an original perspective of the major works of Su and Wordsworth. Although the book deals primarily with these two literary figures, it also successfully explores the similarities and differences between the classical Chinese and Western Romantic traditions that they represent.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
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