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Food is a defining feature in every culture. Despite its very basic purpose of sustaining life, it directly impacts the community, culture and heritage in every region around the globe in countless seen and unseen ways, including the literature and narratives of each region. Across the African continent, food and foodways, which refer to the ways that humans consume, produce and experience food, were influened by slavery and forced labor, colonization, foreign aid, and the anxieties prompted by these encounters, all of which can be traced through the ways food is seen in narratives by African and colonial storytellers. The African continent is home to thousands of cultures, but nearly every one has experienced alteration of its foodways because of slavery, transcontinental trade, and colonization. Food and Foodways in African Narratives: Community, Culture, and Heritage takes a careful look at these alterations as seen through African narratives throughout various cultures and spanning centuries.
An investigation into the category of tribes in South Asia. It focuses on one so-called tribal community, the Garos of Bangladesh. It deals with the evolution of Garo identity/ethnicity and with the progressive making of cultural characteristics that support a sense of Garo-ness, in the context of the complex historical developments.
The contributions of this volume discuss the broad field of transformation processes in Muslim societies from different perspectives with various disciplinary approaches. Apart from methodological questions the authors investigate religious and social developments in Africa and the Near and Middle East while focusing e.g. on the production of meaning, negotiation of religious values and spaces, gendered agency, and debates of identity.
First published by Landmark Books in 1993, Green is the Colour explores how people of different races face the challenges of living together. The story centres on Yun Ming and Siti Sara falling in love with each other in the post-1969 period in Malaysia. Both characters are not only from different racial backgrounds and faiths but are also married to different people. In addition, Siti Sara’s father is a respected religious figure. How do the protagonists resolve their excruciatingly different circumstances in their fight to stay together?
The study compares three Bosnian authors with three European titans: The poet Mak Dizdar to Homer, the novelist Meša Selimović to Fyodor Dostoevsky, and the novelist Ivo Andrić to Leo Tolstoy. The purpose is to move the appreciation of the writing of the most important Bosnian writers of the 20th century closer to the European literary community and to the wholeness of the literary phenomenon. Secondary literature on the Bosnian authors is too narrow, focusing on their ethnic heritages and the Balkan milieu in which they write and missing something essential to a critical appreciation of their works. The study creates not only affinities but, more importantly, amitiés between the authors. The discipline of comparative literature reveals what is missing in the secondary literature, namely, a vision of the literary universe, inclusive and comprehensive.
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Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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