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Family Promises
Poetry. FAMILY PROMISES is a collection of poems that are like prisms that reflect Laura's unique blend of humor, irony and clarity. Her signature style of irreverence and honesty are in full display as she faces life's challenges without flinching. She bravely attempts to triumph over insurmountable losses with her sardonic tone and grace. It is astonishing how Laura manages to merge heartbreak with laughter in every poem. The legacy of her enduring voice resonates throughout this exquisite posthumous volume.
Taking the F Train
In Taking the F Train, a New York City poet rides the F Train through the final years of the 20th century into the 21st; both gentrification and technology are rapidly transforming life as she has known it. Her old haunts...cafés, bookstores, diners, are being replaced by luxury co-ops. There are also losses due to illness and aging...those of others as well her own. And it's not OK, she cries out! At the same time, for every push forward into the future, she's witnessing an opposite push back into the past by the so-called leader of the free world. Nothing makes sense to her anymore. There's only what can be salvaged by art...the act of creation.
MINOTAUR SNOW.
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The Latitude of a Mercy
In his third collection, The Latitude of a Mercy, Stefan Lovasik offers a testament of unflinching immediacy, conflicted sensitivity, and lyric grace - poem after poem, wise without presumption, pared down to a breed of silent speech, the stubborn legacy of what must be said and all that never can. Lovasik brings into striking focus the landscape of war, the lasting physical, moral and psychological consequences of it, and the resilience of the human spirit. The Latitude of a Mercy is a timeless, deeply moving and luminous book.
The Pregnant Widow
‘A phenomenal writer’ Sunday Times An intoxicating comedy about youth, the 1970s, the sexual revolution and its aftermath. Summer, 1970. Sex is very much on everyone's mind. Keith Nearing - a bookish twenty-year-old, in that much disputed territory between five foot six and five foot seven - is on holiday and struggling to twist the seventies’s emerging feminism towards his own ends. Torn between three women, his scheming doesn't come off quite as he expects. 'Read it: it is hilarious, often wonderfully perceptive, uncompromisingly ambitious and written by a great master of the English language' Financial Times
A Very Funny Fellow
Poems.
Strange Theater
Poetry. John Amen's STRANGE THEATER takes the reader on a multifaceted journey, each poem a puzzle piece in a mysterious drama, a view onto a stage where dialogues and narratives shuffle and rotate, where characters improvise insights that blur the boundary between horror and the absurd. Offering a unique vision of contemporary life, Amen is a Virgil of sorts, navigating the unknown, plumbing the conscious and unconscious alike. Replete with compelling imagery and frequently shocking proclamations, strange theater imprints itself on the psyche, Amen's voice continuing to resound long after the final poem is read.
Evening Street Review Number 24
Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor’s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 2881 Wright St, Sacramento, CA 95821-4819. Email submissions are also acceptable; send to the following address as Microsoft Word or rich text files (.rtf): editor@eveningstreetpress.com.
Under Sleep's New Moon
The road a poet travels is often littered with unrealized fragments, half-realized drafts, and unfinished poems that found their ways into a magazine but never earned their way into a book. If a poet is lucky, a few of such left-behinds might be "rescued," released into their true form thanks to abilities that have ripened over many years of practice. In Under Sleep's New Moon, Joseph Hutchison (Colorado Poet Laureate, 2014-2019) offers a range of such poems, all rescued from his first fifteen years of writing. The poems in this new/old collection are by turns personal and public, surreal and naturalistic, musical and plain-spoken. But all explore the liminal regions we live in every day, too often unconscious of what we're finding there. What this poet found there he has lifted into new configurations, where at last the poems can speak for themselves.
