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Caesar Rules
For centuries, Roman emperors ruled a vast empire. Yet, at least officially, the emperor did not exist. No one knew exactly what titles he possessed, how he could be portrayed, what exactly he had to do, or how the succession was organised. Everyone knew, however, that the emperor held ultimate power over the empire. There were also expectations about what he should do and be, although these varied throughout the empire and also evolved over time. How did these expectations develop and change? To what degree could an emperor deviate from prevailing norms? And what role did major developments in Roman society – such as the rise of Christianity or the choice of Constantinople as the new capital – play in the ways in which emperors could exercise their rule? This ambitious and engaging book describes the surprising stability of the Roman Empire over more than six centuries of history.
Emperors and Ancestors
This is the first systematic analysis of the different ways in which Roman imperial lineage was represented in the various 'media' through which images of emperors could be transmitted. Rather than focusing on individual rulers of the Roman Empire, it evaluates evidence over an extended period of time and differentiates between various types of sources, such as inscriptions, sculpture, architecture, literary text, and particularly central coinage, which forms the most convenient source material for a modern reconstruction of Roman representations of power over a prolonged period of time.
Imaginary Kings
This volume looks at various ways in which royal images functioned within different ideological frameworks in the ancient Near East, Greece and Rome. It argues that visibility lies at the heart of power, especially under monarchic rule. The contributions highlight how, throughout the ancient Mediterranean, patterns can be detected in the use of royal images. There seem to have been continuous (re)negotiations between innovation and tradition, East and West, and between aerealAe and aeimaginaryAe kings. Contents Richard Fowler / Olivier Hekster: Imagining kings: From Persia to Rome Lindsay Allen: Le roi imaginaire: An audience with the Achaemenid king Peter Thonemann: The tragic king: Demetrios Poliorketes and the city of Athens Margherita Facella: Roman perception of Commagenian royalty Matthew Gisborne: A curia of kings: Sulla and royal imagery Richard Fowler: aeMost fortunate rootsAe: Tradition and legitimacy in Parthian royal ideology Olivier Hekster: Captured in the gaze of power: Visibility, games and Roman imperial representation Ted Kaizer: Kingly priests in the Roman Near East? Bibliography Index
Caesar Rules
"For centuries, Roman emperors ruled a vast empire. Yet, at least officially, the emperor did not exist. No one knew exactly what titles he possessed, how he could be portrayed, what exactly he had to do, or how the succession was organised. Everyone knew, however, that the emperor held ultimate power over the empire. There were also expectations about what he should do and be, although these varied throughout the empire and also evolved over time. How did these expectations develop and change? To what degree could an emperor deviate from prevailing norms? And what role did major developments in Roman society - such as the rise of Christianity or the choice of Constantinople as the new capital - play in the ways in which emperors could exercise their rule? This ambitious and engaging book describes the surprising stability of the Roman Empire over more than six centuries of history"--
Reconfiguring the Imperial Past: Narrative Patterns and Historical Interpretation in Herodian’s History of the Empire
This book argues that Herodian uses an orderly and coherent historiographical form to reconfigure and explicate a most chaotic period of Roman history. Through patterning he offers a distinctive interpretative framework in which successive reigns and individual emperors need to be read in a dovetailed way.
Commodus
The emperor Commodus (AD 180-192) has commonly been portrayed as an insane madman, whose reign marked the beginning of the end of the Roman Empire. Indeed, the main point of criticism on his father, Marcus Aurelius, is that he appointed his son as his successor. Especially Commodus’ behaviour as a gladiator, and the way he represented himself with divine attributes (especially those of Hercules), are often used as evidence for the emperor’s presumed madness. However, this ‘political biography’ will apply modern interpretations of the spectacles in the arena, and of the imperial cult, to Commodus' reign. It will focus on the dissemination and reception of imperial images, and suggest that there was a method in Commodus’ madness.
Herodian's World
The volume collects fourteen essays on Herodian that investigate the most important aspects of his historiography: literature, politics, economy, religion and warfare.
Roman Portraits in Context
The highest honour a Roman citizen could hope for was a portrait statue in the forum of his city. While the emperor and high senatorial officials were routinely awarded statues, strong competition existed among local benefactors to obtain this honour, which proclaimed and perpetuated the memory of the patron and his family for generations. There were many ways to earn a portrait statue but such local figures often had to wait until they had passed away before the public finally fulfilled their expectations. It is argued in this book that our understanding and contemplation of a Roman portrait statue is greatly enriched, when we consider its wider historical context, its original setting, the circumstances of its production and style, and its base which, in many cases, bore a text that contributed to the rhetorical power of the image.
Rome and its Empire, AD 193-284
This was a time of civil war, anarchy, intrigue, and assassination.Between 193 and 284 the Roman Empire knew more than twenty-five emperors, and an equal number of usurpers. All of them had some measure of success, several of them often ruling different parts of the Empire at the same time. Rome's traditional political institutions slid into vacuity and armies became the Empire's most powerful institutions, proclaiming their own imperial champions and deposing those they held to be incompetent.Yet despite widespread contemporary dismay at such weak government this period was also one in which the boundaries of the Empire remained fairly stable; the rights and privileges of Roman citizenship were extended equally to all free citizens of the Empire; in several regions the economy remained robust in the face of rampant inflation; and literary culture, philosophy, and legal theory flourished. Historians have been discussing how and why this could have been for centuries. Olivier Hekster takes you to th
Coining Images of Power
Based on a quantitative and qualitative analysis of 8227 coin types, this book describes and interprets the diachronic development of the representation of Roman emperors on imperial coins issued between 193 and 284.
