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Oakley Hall's legendary Warlock revisits and reworks the traditional conventions of the Western to present a raw, funny, hypnotic, ultimately devastating picture of American unreality. First published in the 1950s, at the height of the McCarthy era, Warlock is not only one of the most original and entertaining of modern American novels but a lasting contribution to American fiction. "Tombstone, Arizona, during the 1880's is, in ways, our national Camelot: a never-never land where American virtues are embodied in the Earps, and the opposite evils in the Clanton gang; where the confrontation at the OK Corral takes on some of the dry purity of the Arthurian joust. Oakley Hall, in his very fine ...
"Timeless advice with examples from literary masters -- Flaubert to Hemingway to Oates."--
This story covers twenty years in the lives of Joe Bailey and his family and friends. It begins in 1928 in the Mission Hills neighborhood of San Diego, when Joe is eleven and learns of the death of his mother. It continues with teen-age experiences during the Depression, goes on to fraternity life at Berkeley, pretty much skips Joe's experiences in World War II, and ends with his efforts to settle in to postwar America. Many other characters enter into the story, particularly Con, a childhood friend who later becomes his lover. Through it all Joe copes with his insecurities, which manifest themselves in different ways during different episodes and stifle his attempts to find direction to his life.
Think of your fiction like a clock, a marvel of mainsprings and wheels, pinions and pendulums. It's an extraordinary organization of diverse elements, channeling energy and tension into the regular coordination of action and reaction, rotating gears and moving hands. &break;&break;Oakley Hall, writing teacher emeritus, invites you as his apprentice to study fiction's inner workings, the pegs and screws upon which a good story depends. You'll find the elements of fiction examined and illuminated, with insights into how they must interact to create a distinctive story. &break;&break;In sharing lessons taught by years of experience and by citing examples from dozens of esteemed writers, Hall makes working alongside a master thoroughly pleasurable, as well as an invaluable opportunity to craft fiction that is tuned like a precision timepiece.
The legendary lost crime novel from Pulitzer Prize finalist Oakley Hall, instructor of Ann Rice, Amy Tan, Richard Ford, and Michael Chabon, who calls SO MANY DOORS "Beautiful, powerful, even masterful." It begins on Death Row, with a condemned man refusing the services of the lawyer assigned to defend him. It begins with a beautiful woman dead, murdered - Vassilia Caroline Baird, known to all simply as V. That's where this extraordinary novel begins. But the story it tells begins years earlier, on a struggling farm in the shadow of the Great Depression and among the brawling "cat skinners" of Southern California, driving graders and bulldozers to tame the American West. And the story that unfolds, in the masterful hands of acclaimed author Oakley Hall, is a lyrical outpouring of hunger and grief, of jealousy and corruption, of raw sexual yearning and the tragedy of the destroyed lives it leaves in its wake. Unpublished for more than half a century, So Many Doors is Hall's masterpiece, an excoriating vision of human nature at its most brutal, and one of the most powerful books you will ever read.
Oakley Hall is a master craftsman. . . . Intrigue will keep you turning the pages. Amy Tan From Thomas Pynchon to Richard Ford, Amy Tan to Diane Johnson, the list of devotees of the Ambrose Bierce mystery series continues to grow as the larger-than-life hero tracks down Californias most malevolent criminal minds. In this rough-and-tumble romp through gritty Old San Francisco, Ambrose Bierce and his faithful associate Tom Redmond are on the trail of a celebrity sniper. Amid seduction, revenge, wing shots, ambuscades, knife throwers, free-love colonies, a friendly opium parlor, and a letter from Queen Victoria, Ambrose Bierce and Tom Redmond must turn up the true killer. Oakley Hall has found the perfect Holmes of the West in Ambrose Bierce, and an ideal Watson in the guise of Tom Redmond. Ace of Shoots is beautifully written and devilishly entertainingas much fun as a Wild West shoot-em-up extravaganza. Mark Childress
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Is this Alfred Jarry finally writing Oakley Hall III's autobiography or the other way around? It reads--magnificently--as both at the same time, thus as another instance of that hidden wisdom: we are never only one, but always the occasion of many. Maybe it is Ubu himself fondling the hen, I mean holding the pen? Was there ever pathos in Pataphysics? If not, here it is: one bridge further, Oakley Hall III is at it again, biosplicing his & Jarry s life in the theater and Jarry and his theater in life. You are hereby introduced into the Hall of Post-Pataphysics. -- Prof. Pierre Joris, author of Poasis and A Nomad Poetics
Bierce and his sidekick Tom Redmond follow a trail of murder that leads from a sinister British yachtsman to a photographer of female flesh. Bierce's unraveling sheds a blinding light on parental guilt and fin-de-sicle morality. The third in Hall's Ambrose Bierce series, this is a must-have for fans of Caleb Carr's "The Alienist" and E.L. Doctorow's "The Waterworks."
From the acclaimed author of Warlock comes “an elegiac, incandescent 1880s Dakota badlands Western that bears comparison to the greats” (Kirkus). It’s 1883 in Johnson County, in the old Dakota Territory—a rugged, wide-open landscape of rolling red earth, prairie, and cattle as far as the eye can see. But the land is closing, the “Beef Bonanza” is ending, and the free-range cattlemen are stuck watching their way of life disappear in a blaze of drought and gunfire. An action-packed western from one of the masters of the genre, Oakley Hall’s The Bad Lands blends roundups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons. But more than this, it is an elegy to the wild beauty of the badlands before the ranchers moved in, chased off the free-rangers, the trappers, and the tribes, and fenced it all in. “Readers unable to suppress an unfashionable yearning for a good story will be delighted with The Bad Lands.”—Larry McMurtry, The New York Times