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Oblomov (奧伯洛默夫)
Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first parts of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in the nineteenth century, especially its decadence and indifference to the poor peasants. The novel was wildly popular when it came out in Russia and its characters have had an imprint on Russian culture and language. This translation made the book popular outside of its native Russia.
Oblomov
Goncharov's gentle satire on the failings of 19th-century Russian gentry and bureaucracy turns into something deeper and richer than satire, as he probes the character of a protagonist whose constitutional lethargy becomes a symbol for the malaise of the human spirit in an alienating world.
Oblomov
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Oblomov
Oblomov is the best known novel by Russian writer Ivan Goncharov. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare's Hamlet as answering 'No!' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.
Oblomov
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Oblomov Annotated
Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare's Hamlet as answering 'No!' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first 150 pages of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.
Oblomov (Illustrated)
Oblomov is the best known novel by Russian writer Ivan Goncharov, first published in 1859. Oblomov is also the central character of the novel, often seen as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature. Oblomov was compared to Shakespeare's Hamlet as answering 'No!' to the question "To be or not to be?" Oblomov is a young, generous nobleman who seems incapable of making important decisions or undertaking any significant actions. Throughout the novel he rarely leaves his room or bed and famously fails to leave his bed for the first 150 pages of the novel. The book was considered a satire of Russian nobility whose social and economic function was increasingly in question in mid-nineteenth century Russia.
Oblomov
Oblomov is the second novel by Russian writer Ivan Goncharov, first published in 1859. Ilya Ilyich Oblomov is the central character of the novel, portrayed as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature.Oblomov is the second novel by Russian writer Ivan Goncharov, first published in 1859. Ilya Ilyich Oblomov is the central character of the novel, portrayed as the ultimate incarnation of the superfluous man, a symbolic character in 19th-century Russian literature.
Oblomov
Set at the beginning of the nineteenth century, before the ideal of industrious modern man, when idleness was still looked upon by Russia's serf-owning rural gentry as a plausible and worthy goal, there was Oblomov. Indolent, inattentive, incurious, given to daydreaming and procrastination—indeed, given to any excuse to remain horizontal—Oblomov is hardly the stuff of heroes. Yet, he is impossible not to admire. He is forgiven for his weakness and beloved for his shining soul. Ivan Goncharov’s masterpiece is not just ingenious social satire, but also a sharp criticism of nineteenth-century Russian society. Translator Marian Schwartz breathes new life into Goncharov’s voice in this first translation from the generally recognized definitive edition of the Russian original, and the first as well to attempt to replicate in English Goncharov’s wry humor and all-embracing humanity, chosen by Slate as one of the Best Books of 2008.
