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Tal'Dorei Campaign Setting Reborn
Welcome to Tal'Dorei, a fantasy-filled continent brimming with grand tales of heroes and adventure - and eagerly awaiting your own epic stories. Soar on a skyship from the metropolis of Emon to the distant haven of Whitestone, venture into wilderness rife with terrifying monsters and wayward mages, and uncover magic items that range from simple trinkets to the legendary Vestiges of Divergence. The hit series Critical Role first explored this continent through the epic adventures of Vox Machina. Now the world moves on in their wake. This campaign setting is newly revised and expanded to cover the exciting conclusion of the Vox Machina campaign and the characters lives in the years following. ...
Ambient Technology
"Ambient Technology excavates the silver lining of a dream which has been lost. Ashley Obscura's second collection of poetry takes us to a place where time slows down long enough for light to retain form. A meditation on the emergency of intimacy and connection, this collection deconstructs narratives of love and belonging to land amongst new modes of being and belonging in the world."--
Feminism and Film Theory
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism.
Optical Media
Friedrich Kittler’s lecture series provides a concise history of optical media from Renaissance linear perspective to late twentieth-century computer graphics. He begins by looking at European painting since the Renaissance in order to discern the principles according to which modern optical perception was organised. Kittler also discusses the development of various mechanical devices, like the camera obscura and the laterna magica, which were closely connected to the printing press and which played a pivotal role in the media war between the Reformation and the Counterreformation. After examining this history, Kittler then addresses the ways in which images were first stored and made to m...
Nothing Happens
Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that decade. In Nothing Happens, Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work--from Saute ma ville, a 13-minute black-and-white film made in 1968, through Jeanne Dielman and Je tu il ...
On Chantal Akerman
The milestone 100th issue of Camera Obscura recognizes the work and legacy of Belgian filmmaker Chantal Akerman (1950-2015). Arguably the most important figure in feminist film culture, Akerman is central to Camera Obscura's own legacy, and her film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles was covered in one of the first issues of the journal. The contributors to this special issue return to Akerman's work, illuminating her films, writings, and installations through new criticism and discussion. The issue includes a rich collection of newly published photographs, scholarly essays by leading Akerman scholars, a filmography and installation list, and rare interviews with Akerman's close collaborators. Contributors. Claire Atherton, Janet Bergstrom, Kelley Conway, Sandy Flitterman-Lewis, Ute Holl, Heike Klippel, Eva Kuhn, Matias Lavin, Alisa Lebow, Brenda Longfellow, Babette Mangolte, Ivone Margulies, Michael Mazière, Eva Meyer, Sandra Percival, Jane Stein, Cécile Tourneur, Maureen Turim, Sonia Wieder-Atherton, Patricia White
Gastro Obscura
A New York Times, USA Today, and national indie bestseller. A Feast of Wonder! Created by the ever-curious minds behind Atlas Obscura, this breathtaking guide transforms our sense of what people around the world eat and drink. Covering all seven continents, Gastro Obscura serves up a loaded plate of incredible ingredients, food adventures, and edible wonders. Ready for a beer made from fog in Chile? Sardinia’s “Threads of God” pasta? Egypt’s 2000-year-old egg ovens? But far more than a menu of curious minds delicacies and unexpected dishes, Gastro Obscura reveals food’s central place in our lives as well as our bellies, touching on history–trace the network of ancient Roman fish ...
Camera Obscura
Kofman contrasts the mechanical function of the camera obscura as a kind of copy-machine, rendering a mirror-image of the work, with its metaphorical use in the work of Marx, Nietzche and Freud.
Vermeer's Camera
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method a...
