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Park, Tenement, Slaughterhouse
Welche Wahrnehmungen und Vorstellungen von ihrer Stadt hatte die Oberschicht im späten 19. Jahrhundert? Antonio Carbone zeigt dies exemplarisch am Beispiel von Buenos Aires, wo sich – an einem Wendepunkt der Geschichte des modernen Argentinien und der globalen Stadtgeschichte – nach dramatischen Cholera- und Gelbfieberepidemien eine breite Diskussion um die »Krise des Urbanen« entzündete, die zu einer partiellen Umgestaltung der Stadt führte. In seiner Kultur-, Sozial-, Global- und Umweltgeschichte nimmt er besonders drei urbane Brennpunkte in den Blick: die industriellen Schlachthöfe, die von Migrant_innen bewohnten Mietshäuser und einen Park im Stadtteil Palermo.
Handbook of Latin American Studies
Contains records describing books, book chapters, articles, and conference papers published in the field of Latin American studies. Coverage includes relevant books as well as over 800 social science and 550 humanities journals and volumes of conference proceedings. Most records include abstracts with evaluations.
National Union Catalog
Includes entries for maps and atlases.
Libri
Vols. 4-24 include Communications of the International Federation of Library Associations (IFLA-FIAB).
The Art of Juan Manuel Blanes
One of the finest exponents of Latin American Kinetic and Op art, the Venezuelan artist Carlos Cruz-Diez (born in 1923) is a legend among contemporaries such as Jesus Soto and Alejandro Otero--and across Latin America and Europe--but has been woefully little exhibited in North America. Those who caught the groundbreaking 2007 traveling exhibition The Geometry of Hope will recall Cruz-Diez's standout contributions, which had viewers bumping into one another as they negotiated the color shifts and sensations of motion that his sculptural constructions induced. A pioneer in color theory and color perception, Cruz-Diez solicits physical participation in his audience. In late 2008, the Americas Society, known for its leading role in presenting innovative site installations by artists such as Gego, Lygia Pape and Pedro Reyes, orchestrated Cruz-Diez's first solo exhibition in the United States, for which Carlos Cruz Diez: InFormed by Color is the exhibition catalogue--the first comprehensive publication in English devoted to the artist.
