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The second edition of this landmark work is enhanced by new chapters on Ogun worship in the New World. From reviews of the first edition: "... an ethnographically rich contribution to the historical understanding of West African culture, as well as an exploration of the continued vitality of that culture in the changing environments of the Americas." --African Studies Review "... leav es] the reader with a sense of the vitality, dynamism, and complexity of Ogun and the cultural contexts in which he thrives.... magnificent contribution to the literature on Ogun, Yoruba culture, African religions, and the African diaspora." --International Journal of Historical Studies
This volume explains how a multi-faith community in Brazil uses music both to combine and segregate three Afro-Brazilian religions: Batuque, Umbanda, and Quimbanda. It is a book-length study in English about music in Afro-Brazilian religions, which have synthesized African religions, folk Catholicism, Amerindian traditions, and in some cases European Spiritism.
This is the English version of the original in Portuguese (2017): “Nasci Mãe de Santo - A maravilhosa história da Yalorixá Mãe Senhora de Umbanda, Sacerdotisa de Z A M B Y” (ISBN 978-85-924121-0-4). The book is a tribute to Mãe Senhora de Umbanda, in her extremely rare condition as Yalorixá Priestess of Z A M B Y, Consecrated by the Most High, Daughter of Ogum Quebramar and Yansã Guaracyara, Leaders Orixás of the Tenda de Umbanda Morada dos Orixás. It describes her beautiful trajectory in Umbanda in this reincarnation (1930-2015), preceded that was by her Consecration by the HIGHEST - hence the title “I was born Mother of Saint”, with emphasis on her total adoration to the C...
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A continuação da saga de Jorge e sua família continua neste segundo romance da série “Se meu pai é Ogum...”, pois, as batalhas são vencidas uma a uma, mas a guerra, a grande guerra, nos prende a todos e envolve a nós ao longo de uma vida inteira. Presa neste pensamento, Viviane encontra, junta a sua mãe, uma série de diários escritos por Jorge e ambas descortinam um personagem que eles não esperavam até então. Aquele Jorge? Aquela pessoa que ficou ao nosso lado por toda a vida? Mephistos? Quem é esse afinal? Ao longo de toda a vida, Viviane, então, quem é ela?
Ogum Xoroquê sem dúvidas é dentro do Povo de Ogum a entidade que mais chama atenção, por ser dúbia, ter dois lados, um lado ser Ogum e do outro ser Exu. Esta forma quer dizer não que o orixá tem duas faces e sim que trabalha em dois pólos energéticos tanto positivo como negativo.
Focusing on the representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples, in the rich tradition of the Brazilian fictional feature film, Robert Stam provides a major study of race in Brazilian culture through a critical analysis of Brazilian cinema. 136 photos.
Or, An Attempt to show, that The Druids were the Priests of Oriental Colonies Who Emigrated from India; and were the Introducers of the First or Cadmean System of Letters, and the Builders of Stonehenge, of Carnac, and of Other Cyclopean Works, in Asia and Europe. Complete with many informative prints and maps. Partial Contents: Necessity of Etymology; Alphabets; Changes in Language; Druids acquainted with Letters; Irish, Greek, and Hebrew Letters the same; Hieroglyphics; Ciphering invented before Letters; Virgil a Druid; Genesis; Persia, India, and China, the Depositaries, not the Inventors of Science; Who the Celtf were; Affinity between the Latin, Sanscrit, and Celtic; Term Barbarian; Arr...
At a time of transformation in the music history classroom and amid increasing calls to teach a global music history, Navigating Stylistic Boundaries in the Music History Classroom adds nuance to the teaching of varied musical traditions by examining the places where they intersect and the issues of musical exchange and appropriation that these intersections raise. Troubling traditional boundaries of genre and style, this collection of essays helps instructors to denaturalize the framework of Western art music and invite students to engage with other traditions—vernacular, popular, and non-Western—on their own terms. The book draws together contributions by a wide range of active scholar...