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This sequel to Deadly Flowers is a fast-paced and compelling read with a multitude of astonishing plot twists. Kata is one of the best employees of a master thief until he sells her to Madame Chiyome, the woman who trained Kata as a ninja. It turns out that Madame Chiyome has been hired by Kata’s enemy, Saiko, to capture Kata and the magical pearl she possesses. But while escaping her enemies, Kata puts her trusted group of friends in danger. Should Kata stay loyal to her mission, as a true ninja would, or to her friends? Can Kata trust the fellow thief who says he is in love with her and wants to help her? The themes of trust versus independence underlie each of Kata’s decisions as she tries to get the pearl out of Japan to weaken the demon within it. As Kata faces one obstacle after another, including a wide range of supernatural creatures, she is tempted to make a wish to save herself, even though could it be the last wish, the one that frees the demon and lets him take her soul. Will her sense of duty and honor prevail against all odds?
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innov...
The Princess Nun tells the story of Bunchi (1619–1697), daughter of Emperor Go-Mizunoo and founder of Enshōji. Bunchi advocated strict adherence to monastic precepts while devoting herself to the posthumous welfare of her family. As the first full-length biographical study of a premodern Japanese nun, this book incorporates issues of gender and social status into its discussion of Bunchi’s ascetic practice and religious reforms to rewrite the history of Buddhist reform and Tokugawa religion. Gina Cogan’s approach moves beyond the dichotomy of oppression and liberation that dogs the study of non-Western and premodern women to show how Bunchi’s aristocratic status enabled her to carry...