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86 - cover baru
Apa yang bisa dibanggakan dari pegawai rendahan di pengadilan? Gaji bulanan, baju seragam, atau uang pensiunan? Arimbi, juru ketik di pengadilan negeri, menjadi sumber kebanggaan bagi orangtua dan orang-orang di desanya. Generasi dari keluarga petani yang bisa menjadi pegawai negeri. Bekerja memakai seragam tiap hari, setiap bulan mendapat gaji, dan mendapat uang pensiun saat tua nanti. Arimbi juga menjadi tumpuan harapan, tempat banyak orang menitipkan pesan dan keinginan. Bagi mereka, tak ada yang tak bisa dilakukan oleh pegawai pengadilan. Dari pegawai lugu yang tak banyak tahu, Arimbi ikut menjadi bagian orang-orang yang tak lagi punya malu. Tak ada yang tak benar kalau sudah dilakukan banyak orang. Tak ada lagi yang harus ditakutkan kalau semua orang sudah menganggap sebagai kewajaran. Pokoknya, 86!
Entrok
None
Maryam
None
Bound - Pasung Jiwa (English Ver.)
Does free will truly exist? Does man truly exist? Okky Madasari explores the seminal questions of mankind and humanity in her latest novel. A struggle arises between the two main characters, Sasana and Jaka Wani, in the search for freedom from all restraints––from those of the mind and body, to restraints imposed by tradition and family, society and Religion & Spirituality, to economic domination and the shackles of authority.
The Outcast
"""She has been accused of heresy since she was born. She has been considered deviant and must be excommunicated. On behalf of faith and love, her marriage is sacrificed. On behalf of God, she and her family were expelled, and their home was destroyed. It has been seven years now that Maryam and hundreds of others live in a refugee camp at a small and cramped government-owned building in Lombok, West Nusa Tenggara. The story of Maryam is a sad tragedy within a country full of beauty. What they need is justice. How long should they wait? OKKY MADASARI is a recipient of the Khatulistiwa Literary Award 2012 for the Indonesian edition of The Outcast––Maryam. Her other novels include The Years of the Voiceless––Entrok (2010), 86 (2011) about corruption in modern-day Indonesia, and Pasung Jiwa (2013) which delves into individual freedoms. The common thread running through these works is the fight against injustice and the struggle for the values of humanity and freedom."""
Maryam - cover baru
Tentang mereka yang terusir karena iman di negeri yang penuh keindahan. Lombok, Januari 2011 Kami hanya ingin pulang. Ke rumah kami sendiri. Rumah yang kami beli dengan uang kami sendiri. Rumah yang berhasil kami miliki lagi dengan susah payah, setelah dulu pernah diusir dari kampung-kampung kami. Rumah itu masih ada di sana. Sebagian ada yang hancur. Bekas terbakar di mana-mana. Genteng dan tembok yang tak lagi utuh. Tapi tidak apa-apa. Kami mau menerimanya apa adanya. Kami akan memperbaiki sendiri, dengan uang dan tenaga kami sendiri. Kami hanya ingin bisa pulang dan segera tinggal di rumah kami sendiri. Hidup aman. Tak ada lagi yang menyerang. Biarlah yang dulu kami lupakan. Tak ada dendam pada orang-orang yang pernah mengusir dan menyakiti kami. Yang penting bagi kami, hari-hari ke depan kami bisa hidup aman dan tenteram. Kami mohon keadilan. Sampai kapan lagi kami harus menunggu? ĞMaryam HayatiĞ
The Last Crowd *Edisi Bahasa Inggris Dari Kerumunan Terakhir
A story of human confusion in the midst of a fast-changing digital era, when humans don’t have much chance to stop, look back, and contemplate. Moving from one crowd to another, from connecting to alienating, we flock to the future and leave the past behind. Technology has transformed human civilisation. Social network is the new world, where tremendous amount of time is spent running away from the harsh reality of life lled with defeat and absurdity. The novel portrays a young Generation Y, who lives in two worlds with blurring boundaries. Unable to distinguish what's real and what's virtual, Jayanegara falls into the trap of hope and illusion of cyberspace. As the rst Indonesian novel that explores the pressing issue of human existence in an era where modern technology consumes our existence, The Last Crowd cleverly unravels our deepest fears and desires: loneliness, isolation, and an innate obsession to be whoever we want to be on screens.
86 - English Edition
What’s the highlight of a low clerk at a court? Monthly salary, uniform, or retirement benefits? Arimbi, a typist at a district court became the gem of pride for her parents and the people in her village. She was a farmer’s daughter who could become a public servant: working in uniforms every day, getting regular monthly salaries, and would rightfully own a retirement benefi t in her senior years one day. Arimbi also became their rock of hope. Many people passed on their messages and their wishes through her. To them, a clerk at a court was omnipotent. From an innocent clerk who knew nothing about anything, Arimbi adapted to and became a part of the shameless group of people at the court. Nothing was illegal when many people had done it. There was nothing to fear when many people consider it as a common thing. The point was, 86!
Entrok - cover baru
Marni, perempuan Jawa buta huruf yang masih memuja leluhur. Melalui sesajen dia menemukan dewa-dewanya, memanjatkan harapannya. Tak pernah dia mengenal Tuhan yang datang dari negeri nun jauh di sana. Dengan caranya sendiri dia mempertahankan hidup. Menukar keringat dengan sepeser demi sepeser uang. Adakah yang salah selama dia tidak mencuri, menipu, atau membunuh? Rahayu, anak Marni. Generasi baru yang dibentuk oleh sekolah dan berbagai kemudahan hidup. Pemeluk agama Tuhan yang taat. Penjunjung akal sehat. Berdiri tegak melawan leluhur, sekalipun ibu kandungnya sendiri. Adakah yang salah jika mereka berbeda? Marni dan Rahayu, dua orang yang terikat darah namun menjadi orang asing bagi satu s...
The Years of The Voiceless
"Marni is an illiterate Javanese woman who still practices ancestor worship. Through her offerings she finds her gods and puts forth her hopes. She knows nothing of the God brought in from that faraway land. Rahayu is Marni’s daughter, part of a new generation shaped by education and an easier life. She is a firm believer in God and in common sense. She stands against the ancestors, even against her own mother. To Marni, Rahayu is a soulless being. And to Rahayu, Marni is a sinner. Each lives according to her own creed, with nothing in common. Then come the sounds of the jackboots, constantly disrupting and destroying souls. They are the ones with the authority, the ones who play with power as they desire. They are the ones who can turn the skies and the fields red, and blood yellow, their guns ready to strike anywhere. Marni and Rahayu, these women from two generations who have never understood each other, finally find something in their lives that they agree on. Both are victims of those in power. Both fight against the guns."
