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Everybody collects something, sometime. Many artists have discovered collecting and saving as a means of artistic expression and have made the storage of objects and information the subject of their work. This ranges from digital memory to rows and stacks of materials to shelves, packaging crates, installations, and entire areas filled with diverse objects stored systematically or in states of utter chaos.
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
This volume represents a series of papers presented at the Second International Workshop on HPV Immunology held at the University of Cambridge July 5-7 1993. This Workshop and its predecessor held in Amsterdam in May 1992 were two of the major activities of the European Concerted Action "Immunology of Human Papillomavirus and Vaccine Development". The Concerted Action (CA) was supported by grants from the Commission of the European Communities (EC), the French Association for Cancer Research (ARC) and the European Association for Medical Research (EAMR). Twenty two laboratories throughout Europe and Scandinavia were members of the CA, the objectives of which were to develop collaborations, i...
A history of the HRC at the ANU, but also an examination of the role and predicament of the humanities within universities and the wider community, and contributes substantially to the ongoing debate on an Australian identity.
Beyond Madagascar is the true story of the remarkable life journey of a missionary's son born and raised in Madagascar in the late 1920s. Alone, at age 15, he sailed on a freighter to America to continue his studies. The foundation of the world he knew as a child, carried him beyond Madagascar and into a world of adventure. His story is the stuff dreams are woven from: international travel, jungle experiences, safaris with his father, boarding school antics, military service, Counter Intelligence Corps and eventually global mission outreach. He was in the Army for ten years and after becoming a pastor, was involved in various aspects of Christian ministry for over 30 years. His book is filled with humor and compassion, colorful antics and deep pain, all the while conveying a message of hope as he was guided by God's constant presence. His story reminds us that God is always there, waiting, listening and ready to be a part of our life's journey
Media - Art - History defines the position of multimedia art now. The catalogue section shows how mass media and new technologies have influenced art during the 19th and 20th centuries. Descriptions and interpretations of the works - supplemented by a CD-ROM - throw light on these new developments, ranging from the visions borne out by early Modernist artists, and the art forms in the 60s, to the present day.
Our studies of aesthetics and knowledge have long tended to privilege the visual - at the expense, Wolfgang Ernst argues, of the aural. 'Sonic Time Machines' aims to correct that, presenting a striking new approach to theorising sound that investigates its split existence: as a temporal effect in a techno-cultural context and as a source of knowledge and information. Ernst creates a new term for the concept at the heart of the book, "sonicity," a flexible and powerful term that allows him to consider sound with all its many physical, philosophical, and cultural valences.
A socialist response to the looming ecological crisis As the Anthropocene advances, people across the red-green political spectrum seek to understand and halt our deepening ecological crisis. Environmentalists, scientists, and eco-socialists share concerns about the misuse and overuse of natural resources, but often differ on explanations and solutions. Some blame environmental disasters on overpopulation. Others wonder if Darwin’s evolutionary theories disprove Marx’s revolutionary views, or if capitalist history contradicts Anthropocene science. Some ask if all this worry about climate change and the ecosystem might lead to a “catastrophism” that weakens efforts to heal the planet....
An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in r...
Abandoning the usual Cold War–oriented narrative of postwar European protest and opposition movements, this volume offers an innovative, interdisciplinary, and comprehensive perspective on two decades of protest and social upheaval in postwar Europe. It examines the mutual influences and interactions among dissenters in Western Europe, the Warsaw Pact countries, and the nonaligned European countries, and shows how ideological and political developments in the East and West were interconnected through official state or party channels as well as a variety of private and clandestine contacts. Focusing on issues arising from the cross-cultural transfer of ideas, the adjustments to institutional and political frameworks, and the role of the media in staging protest, the volume examines the romanticized attitude of Western activists to violent liberation movements in the Third World and the idolization of imprisoned RAF members as martyrs among left-wing circles across Western Europe.