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Luminous Lives
Long neglected by art historians, Anna-Eva Bergman (1909–87) was a painter of major importance who invested her work with an almost mystical ambition. The story of her life, told for the first time in this meticulously researched biography, is extraordinary: a Norwegian childhood that was constantly overshadowed by fear; a bohemian and adventurous youth that spanned much of Europe; a career as an illustrator; encounters in Nazi Germany; increasingly severe health problems; three marriages, two of which were to the same man (Bergman’s fellow artist Hans Hartung); and a tragic end in the splendour of their villa in Antibes. But above all Bergman’s was a life dedicated to creation, often ...
Inside the Gate
Nobel Prize winner Sigrid Undset’s life at Bjerkebæk, her retreat in Lillehammer, Norway Inside the Gate offers readers a rare glimpse into Sigrid Undset’s life at her home, Bjerkebæk, now a museum and national landmark in Lillehammer, Norway. Immensely protective of her privacy, Undset filled the timbered house with books and created a writing space where she authored many of her famous works, including Kristin Lavransdatter. There she also raised her three children, tended to her beloved garden, and welcomed close friends and family members during three decades of personal joys, sorrows, and hard work. Drawing on a wealth of historical documents, Nan Bentzen Skille’s lively narrative presents an intimate portrait of Sigrid Undset’s intense emotional life and creative endeavors, with Bjerkebæk at the center of it all. Many photographs vividly illustrate the text. For readers who have long admired Undset’s literature, Inside the Gate provides new insight into the life and work of the Nobel Prize winner.
National Union Catalog
Includes entries for maps and atlases.
Nordic Landscape Painting in the Nineteenth Century
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Beyond Objecthood
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through t...
Thomas Mann Studies, Volume 2
Seldom, if ever, has there lived in the United States a foreign-born writer who has won such universal acclaim and made such an impact on the American literary scene as Thomas Mann. Not only have Mann's works, with very few exceptions, been translated but he is also one of the most eagerly collected of all modern authors. This volume will serve any student of literature, or collector, who is anxious to locate materials on Thomas Mann. Thomas Mann Studies, Volume II, is intended first of all as the bibliographical record for the period from 1954 to 1965. Since the death of Mann in 1955, a vast amount of material has been published about the man and his work. This extraordinary book lists almo...
"Rival Sisters, Art and Music at the Birth of Modernism, 1815?915 "
Introducing the concept of music and painting as 'rival sisters' during the nineteenth century, this interdisciplinary collection explores the productive exchange-from rivalry to inspiration to collaboration-between the two media in the age of Romanticism and Modernism. The volume traces the relationship between art and music, from the opposing claims for superiority of the early nineteenth century, to the emergence of the concept of synesthesia around 1900. This collection puts forward a more complex history of the relationship between art and music than has been described in earlier works, including an intermixing of models and distinctions between approaches to them. Individual essays from art history, musicology, and literature examine the growing influence of art upon music, and vice versa, in the works of Berlioz, Courbet, Manet, Fantin-Latour, Rodin, Debussy, and the Pre-Raphaelites, among other artists.
Computer Graphics — Computer Art
Ten years have passed since the first edition of this book, a time sary to stress that the availability of colors further assists artistic span during which all activities connected with computers have ambitions. experienced an enormous upswing, due in particular to the ad The dynamics of display which can be achieved on the screen is vances in the field of semiconductor electronics which facilitated also of significance for the visual arts. It is a necessary condition microminiaturization. With the circuit elements becoming small for some technical applications, for example when simulating er and smaller, i. e. the transition to integrated circuits, the price dynamic processes. Although the graphics systems operating in real time were not designed for artistic purposes, they nonethe of hardware was reduced to an amazingly low level: this has de less open the most exciting aspects to the visual arts. While the finitely been an impulse of great importance to the expansion of computer technology, as well as to areas far removed from tech static computer picture was still a realization in line with the nology.
